Blue Heron (2025) is the feature debut of Canadian filmmaker Sophy Romvari, offering a deeply personal, nonlinear narrative centered on childhood memory and family trauma. It follows a young girl observing her family’s relocation to Vancouver Island in the 1990s, where her older brother’s escalating behavioral issues create an atmosphere of quiet anxiety.
KCModern is putting on a screening of "Columbus" (2017) with a discussion to follow with Chris Fein and Robert McLaughlin. All tickets are $10 When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin (John Cho) finds himself stranded in Columbus, Indiana - a small Midwestern city celebrated for its many significant modernist buildings. Jin strikes up a friendship with Casey (Haley Lu Richardson), a young architecture enthusiast who works at the local library. As their intimacy develops, Jin and Casey explore both the town and their conflicted emotions: Jin's estranged relationship with his father, and Casey's reluctance to leave Columbus and her mother. With its naturalistic rhythms and empathy for the complexities of families, debut director Kogonada's COLUMBUS unfolds as a gently drifting, deeply absorbing conversation. With strong supporting turns from Parker Posey, Rory Culkin, and Michelle Forbes, COLUMBUS is also a showcase for its director's striking eye for the way physical space can affect emotions.
PG-13for thematic material.
A young girl and her brother are awoken by their father and loaded into the car on an early morning in 2008. As they road trip across the American West, she discovers the truth about their seemingly spontaneous journey. A poignant, coming-of-age drama starring John Magaro (Past Lives, September 5), Molly Belle Wright, and Wyatt Solis. A Sundance Film Festival premiere.
PG-13for war violence, bloody images, some strong language, and smoking
In the tense 72 hours before D-Day, and the fate of the free world hanging in the balance, PRESSURE follows General Dwight D. Eisenhower and Captain James Stagg as they face an impossible choice—launch the largest and most dangerous invasion in history or risk losing the war altogether.
PG-13for strong language and some suggestive references.
Twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in 20th Century Studios’ “The Devil Wears Prada 2,” the eagerly awaited sequel to the 2006 phenomenon that defined a generation. The film is directed by David Frankel, written by Aline Brosh McKenna, produced by Wendy Finerman, and executive produced by Michael Bederman, Karen Rosenfelt and Aline Brosh McKenna.
PG-13for smoking.
Sabena Weathers, head of a family cosmetics empire, is fighting to keep her company free from a hostile takeover by its European counterpart. Since the untimely deaths of her husband and father several years earlier, Sabena’s goal has been to keep their legacy, her heritage, alive at any cost; even possibly the cost of her own life. Sabena’s transformation begins when she makes the conscious choice to move to a remote mountaintop garden cottage. Here she meets Walter, a seemingly simple gardener who takes her on a powerful journey of self-discovery, healing and ultimately back to her true self. It all begins in the garden; magically, metaphorically and serendipitously.
PGfor thematic material, some violent content and brief language
In this witty, new breed of mystery, George (Hugh Jackman) is a shepherd who reads detective novels to his beloved sheep every night, assuming they can’t possibly understand. But when a mysterious incident disrupts life on the farm, the sheep realize they must become the detectives. As they follow the clues and investigate human suspects, they prove that even sheep can be brilliant crime-solvers.
Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother’s funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague. He quickly slips back into his usual routine. However, his daily life is soon about to be disrupted by his neighbor, Raymond Sintès, who draws Meursault into his shady dealings. Until one blisteringly hot day, a tragic event occurs on a beach.
Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other, both used landscape painting to reflect the changing world around them. Tate Britain is bringing these two greats together for a groundbreaking exhibition, in London from November 2025 to April 2026, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen in February so that you can enjoy both film and exhibition together. Discover unexpected sides to both artists with intimate views of sketchbooks and personal items and insights from leading experts. Tickets: Advance - $10 / Day Of Show - $12.