As teenagers, kung fu disciples Danny (Alain Uy), Hing (Ron Yuan) and Jim (Mykel Shannon Jenkins) were inseparable. Fast forward 25 years, and each has grown into a washed-up middle-aged man seemingly one kick away from pulling a hamstring—and not at all preoccupied with thoughts of martial arts or childhood best friends. But when their old master is murdered, the trio reunites, soon learning that avenging their sifu will require conquering old grudges (and a dangerous hitman still armed with ample knee cartilage) if they are to honorably defend his legacy.

Working in defiance of a lifelong ban on filmmaking, dissident director Mohammad Rasoulof delivers a piercing drama about a subject he knows well: the costs of living under a repressive, brutal government. Winner of the Golden Bear, the top prize at the Berlin Film Festival, There Is No Evil is a film in four chapters, each telling a different story related to the death penalty in contemporary Iran. The first story concerns a family man who, as we come to see, pays a grave moral price for his comfortable middle-class life. The second and third chapters focus on conscripted soldiers – in Iran, it is often these men who are forced to perform executions – and both segments explore the tension and turmoil that can come with such harsh coercion. The final section involves a family secret, which brings the film to its powerful conclusion. Suspenseful, mysterious, and shot through with a sense of urgency, Rasoulof's work bears the mark of an artist who sets his own terms – and who knows just how to captivate an audience.