A BODY TO LIVE IN offers an uncompromising look at the rise of BDSM performance art, body modification and the ‘modern primitives’ cultural movement through the agonies and ecstasies of transgressive artist Fakir Musafar and the communities that surrounded him. Blending rare archival footage with the voices of queer and artistic trailblazers, the film shows how pain, ritual, and transformation became tools of identity, survival, and self-expression. Weaving from early experiments and secret gatherings to the emergence of a global subculture shaped by the AIDS crisis and spiritual reinvention, Director Angelo Madsen (NORTH BY CURRENT) reveals not just the story of one artist, but a collective history of bodies in revolt - asking what it truly means to live freely in one’s own skin.

Mr. Pearson's days in front of the camera may be a thing of the past, but the actor inside of him is very much alive. Caroline and Miguel split days and nights with legendary Hollywood actor Robert Pearson, a brilliant and talented gentleman battling mental decline. Despite their differences in approach to caring for the cantankerous man, both have the same goal of keeping him safe and connected. Miguel's care-taking method is pretty straightforward as he spends most of his time with Mr. Pearson meeting his basic needs of eating, sleeping, and grooming. Caroline, on the other hand, has become more than a nurse. A maternal confidante and playful companion, Caroline stops at nothing to keep Mr. Pearson from slipping away, even if that means casting herself opposite the leading man to perform a scene from one of his hit movies from long ago. And it's working. Their make-believe games cause Mr. Pearson to feel alive again, but as the line between fantasy and reality blurs, his grip loosens and Caroline's gets tighter. Now, with everyone's livelihood on the line, Miguel and Caroline must work together to save Mr. Pearson's luminous star from fading to black.