Vahid, an unassuming mechanic, has a chance encounter with Eghbal, a man he strongly suspects to be his former sadistic jailhouse captor. Panicked, Vahid gathers several former prisoners, all abused by that same captor, to try and confirm Eghbal's identity. As the bickering group drives around Tehran with the captive, they must confront how far to take matters into their own hands with their presumed tormentor. From master filmmaker Jafar Panahi comes a searing moral thriller that engages with complex ideas about the uncertainty of the truth and the choice between revenge and mercy, as Panahi turns his personal dissonance into a profound and galvanizing work of art.

Amid the raucous revelry of Carnival week, a widower named Marcelo (Wagner Moura) arrives in 1977 in Recife, Brazil, a city as vibrant as it is violent. A technology researcher who suddenly finds himself an unwitting target in the heart of the dictatorship's political maelstrom, Marcelo is a man on the run from mercenary killers, from ghosts of the past and from the ruthless, mischievously militant spirit of Brazil in 1977. In the midst of these mounting threats, Marcelo, with the help of a mysterious woman named Elza and her compatriots in the country's growing underground resistance, remains primarily focused on escaping Brazil with his young son. Master filmmaker Kleber Mendonca Filho teams up with renowned actor Wagner Moura - giving an extraordinary, career-defining performance - to craft a thrillingly unpredictable, playfully shape-shifting epic steeped in history even as it feels remarkably contemporary, paying affectionate tribute to the movies of Filho’s youth while unfolding against the backdrop of political turmoil and palpable danger.

Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star. Suddenly, the two sisters must navigate their complicated relationship with their father — and deal with an American star dropped right into the middle of their complex family dynamics.

A father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They’re searching for Mar — daughter and sister — who vanished months ago at one of these endless, sleepless parties. Surrounded by electronic music and a raw, unfamiliar sense of freedom, they hand out her photo again and again. Hope is fading but they push through and follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limits.

January 29, 2024. Red Crescent volunteers receive an emergency call. A 6-year-old girl is trapped in a car under fire in Gaza, pleading for rescue. While trying to keep her on the line, they do everything they can to get an ambulance to her. Her name was Hind Rajab. NOTE: The film is based on real events and emergency calls recorded by the Palestine Red Crescent. The voices on the phone are real.