If Nancy doesn’t wake up screaming, she won’t wake up at all. Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop’s daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers’ children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world…

Having revived from his wound, Jason Voorhees takes refuge at a cabin near Crystal Lake. As a group of co-eds arrive for their vacation, Jason continues his killing spree.

Ichabod Crane is sent to Sleepy Hollow to investigate the decapitations of 3 people with the culprit being the legendary apparition, the Headless Horseman.

A clever cat brings chaos and mischief to the home of two young children.

The Met: Live in HD season continues with Mozart’s satirical comedy of fickle young love. Phelim McDermott’s “colorful, inventive” (The New York Times) staging, inspired by Coney Island in the 1950s, sets the uproarious story at a boardwalk amusement park, where the two pairs of lovers at the heart of the tale find themselves on one emotional—and literal—thrill ride after another. Soprano Federica Lombardi and mezzo-soprano Samantha Hankey sing Fiordiligi and Dorabella, opposite tenor Duke Kim and baritone Andrey Zhilikhovsky as Ferrando and Guglielmo. Bass-baritone Gerald Finley reprises his portrayal of the cynical Don Alfonso, with soprano Ana María Martínez as the witty maid Despina.

The Met made history in December 2006 when it presented its first Live in HD transmission to cinemas worldwide: the abridged English-language version of Mozart’s The Magic Flute. Julie Taymor’s whimsical production features a winning ensemble—including tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape—and returns to select movie theaters for a special encore presentation during the holiday season.

The Nightmare Before Christmas will be returning to theaters in celebration of Halloween this year! Jack Skellington, king of Halloween Town, discovers Christmas Town, but his attempts to bring Christmas to his home cause confusion.

Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel.

See THE TEXAS CHAIN SAW MASSACRE 1974 in an all-new 4k digital transfer and with a newly created 7.1 surround sound mix supervised by Tobe Hooper. Get ready to experience fear in a whole new way. 50 years ago, five youths on a weekend getaway in the Texas countryside fell prey to a butcher in a mask made of human skin and his cannibalistic family, and horror cinema would never be the same. Violent, confrontational, and shockingly realistic, director Tobe Hooper’s THE TEXAS CHAINSAW MASSACRE terrified audiences in a way never thought possible when it was unleashed on a politically and socially tumultuous America in 1974. Facing a storm of controversy, censorship, and outcry throughout its troubled release, this masterpiece of horror has stood the test of time to become a landmark motion picture and cultural milestone.

On the outskirts of a village by the sea, lives a Fisherwoman; smelly, single and perpetually ridiculed. One day, fed up with her stuffy, small-minded neighbors, she commissions herself a husband to be made from wicker. In an otherwise conservative town, this unconventional romance sparks outrage, jealousy and chaos.

Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.