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Tuesday 22, October

The Wild Robot

The Wild Robot

Gfor action/peril and thematic elements.

Tuesday 22, October

Wednesday 23, October

The Wild Robot

The Wild Robot

Gfor action/peril and thematic elements.

Wednesday 23, October

Thursday 24, October

The Wild Robot

The Wild Robot

Gfor action/peril and thematic elements.

Thursday 24, October

Friday 25, October

Venom: The Last Dance

Venom: The Last Dance

PGfor intense sequences of violence and action, bloody images and strong language.

Friday 25, October

Saturday 26, October

Venom: The Last Dance

Venom: The Last Dance

PGfor intense sequences of violence and action, bloody images and strong language.

Saturday 26, October

Sunday 27, October

Venom: The Last Dance

Venom: The Last Dance

PGfor intense sequences of violence and action, bloody images and strong language.

Sunday 27, October

Monday 28, October

Venom: The Last Dance

Venom: The Last Dance

PGfor intense sequences of violence and action, bloody images and strong language.

Monday 28, October

Tuesday 29, October

Venom: The Last Dance

Venom: The Last Dance

PGfor intense sequences of violence and action, bloody images and strong language.

Tuesday 29, October

Wednesday 30, October

Venom: The Last Dance

Venom: The Last Dance

PGfor intense sequences of violence and action, bloody images and strong language.

Wednesday 30, October

Thursday 31, October

Venom: The Last Dance

Venom: The Last Dance

PGfor intense sequences of violence and action, bloody images and strong language.

Thursday 31, October

Friday 1, November

Hitpig!

Hitpig!

PGfor action/peril, rude humor and some thematic elements.

Friday 1, November

White Bird

White Bird

PGfor some strong violence, thematic material and language.

Friday 1, November

Saturday 2, November

The Metropolitan Opera: Les Contes d’Hoffmann

The Metropolitan Opera: Les Contes d’Hoffmann

PG

Saturday 2, November

Hitpig!

Hitpig!

PGfor action/peril, rude humor and some thematic elements.

Saturday 2, November

White Bird

White Bird

PGfor some strong violence, thematic material and language.

Saturday 2, November

Sunday 3, November

Hitpig!

Hitpig!

PGfor action/peril, rude humor and some thematic elements.

Sunday 3, November

Monday 4, November

White Bird

White Bird

PGfor some strong violence, thematic material and language.

Monday 4, November

Tuesday 5, November

White Bird

White Bird

PGfor some strong violence, thematic material and language.

Tuesday 5, November

Wednesday 6, November

White Bird

White Bird

PGfor some strong violence, thematic material and language.

Wednesday 6, November

Thursday 7, November

White Bird

White Bird

PGfor some strong violence, thematic material and language.

Thursday 7, November

Friday 22, November

Gladiator II

Gladiator II

18Afor strong bloody violence.

Friday 22, November

Saturday 23, November

Gladiator II

Gladiator II

18Afor strong bloody violence.

Saturday 23, November

Sunday 24, November

Gladiator II

Gladiator II

18Afor strong bloody violence.

Sunday 24, November

Monday 25, November

Gladiator II

Gladiator II

18Afor strong bloody violence.

Monday 25, November

Tuesday 26, November

Gladiator II

Gladiator II

18Afor strong bloody violence.

Tuesday 26, November

Wednesday 27, November

Gladiator II

Gladiator II

18Afor strong bloody violence.

Wednesday 27, November

Thursday 28, November

Gladiator II

Gladiator II

18Afor strong bloody violence.

Thursday 28, November

Saturday 11, January

The Metropolitan Opera: Tosca

The Metropolitan Opera: Tosca

PG

Saturday 11, January

Saturday 8, February

The Metropolitan Opera: Aida

The Metropolitan Opera: Aida

PG

Saturday 8, February

Saturday 5, April

The Metropolitan Opera: Fidelio

The Metropolitan Opera: Fidelio

PG

Saturday 5, April

Saturday 14, June

The Metropolitan Opera: Il Barbiere di Siviglia

The Metropolitan Opera: Il Barbiere di Siviglia

PG

Saturday 14, June

Gladiator II

Gladiator II

18Afor strong bloody violence.

18A movies require accompaniment of 19yrs or older for anyone 17yrs or younger. From legendary director Ridley Scott, Gladiator II continues the epic saga of power, intrigue, and vengeance set in Ancient Rome. Years after witnessing the death of the revered hero Maximus at the hands of his uncle, Lucius (Paul Mescal) is forced to enter the Colosseum after his home is conquered by the tyrannical Emperors who now lead Rome with an iron fist. With rage in his heart and the future of the Empire at stake, Lucius must look to his past to find strength and honor to return the glory of Rome to its people.

Friday 22, November

Saturday 23, November

Sunday 24, November

Monday 25, November

Tuesday 26, November

Wednesday 27, November

Thursday 28, November

Show Future Dates
Hitpig!

Hitpig!

PGfor action/peril, rude humor and some thematic elements.

A bounty hunter pig finds himself trekking the globe with a free-spirited elephant he intended to capture.

Friday 1, November

Saturday 2, November

Sunday 3, November

Show Future Dates
The Metropolitan Opera: Aida

The Metropolitan Opera: Aida

PG

Soprano Angel Blue makes her long-awaited Met role debut as the Ethiopian princess torn between love and country, one of opera’s defining roles. Music Director Yannick Nézet-Séguin takes the podium for Michael Mayer’s spectacular new staging, which brings audiences inside the towering pyramids and gilded tombs of ancient Egypt with intricate projections and dazzling animations. Mezzo-soprano Judit Kutasi, following her 2024 debut in Verdi’s La Forza del Destino, is Aida’s Egyptian rival Amneris, and tenor Piotr Beczała is the soldier Radamès—completing opera’s greatest love triangle. The all-star cast also features baritone Quinn Kelsey as Amonasro and bass Dmitry Belosselskiy as Ramfis.

Saturday 8, February

The Metropolitan Opera: Fidelio

The Metropolitan Opera: Fidelio

PG

Following a string of awe-inspiring Met performances, soprano Lise Davidsen stars as Leonore, who risks everything to save her husband from the clutches of tyranny. Tenor David Butt Philip is the political prisoner Florestan, sharing the stage with bass-baritone Tomasz Konieczny as the villainous Don Pizarro, veteran bass René Pape as the jailer Rocco, and soprano Ying Fang and tenor Magnus Dietrich, in his company debut, as the young Marzelline and Jaquino. Bass Stephen Milling sings the principled Don Fernando, and Susanna Mälkki conducts the Met’s striking production, which finds modern-day parallels in Beethoven’s stirring paean to freedom.

Saturday 5, April

The Metropolitan Opera: Il Barbiere di Siviglia

The Metropolitan Opera: Il Barbiere di Siviglia

PG

Rossini’s effervescent comedy retakes the stage in Bartlett Sher’s madcap production. Mezzo-soprano Aigul Akhmetshina headlines a winning ensemble as the feisty heroine, Rosina, alongside high-flying tenor Jack Swanson, in his Met debut, as her secret beloved, Count Almaviva. Baritone Andrey Zhilikhovsky stars as Figaro, the titular barber of Seville, with bass-baritone Peter Kálmán as Dr. Bartolo and bass Alexander Vinogradov as Don Basilio rounding out the principal cast. Giacomo Sagripanti conducts.

Saturday 14, June

The Metropolitan Opera: Les Contes d’Hoffmann

The Metropolitan Opera: Les Contes d’Hoffmann

PG

In this production, an ensemble of leading lights take the stage for Offenbach’s fantastical final work, headlined by tenor Benjamin Bernheim in the title role of the tormented poet. Hoffmann’s trio of lovers are sung by soprano Erin Morley as the mechanical doll Olympia, soprano Pretty Yende as the plagued diva Antonia, and mezzo-soprano Clémentine Margaine as the Venetian seductress Giulietta. Marco Armiliato conducts Bartlett Sher’s evocative production, which also features bass-baritone Christian Van Horn as the Four Villains and mezzo-soprano Vasilisa Berzhanskaya in an important company debut as Hoffmann’s friend Nicklausse.

Saturday 2, November

The Metropolitan Opera: Tosca

The Metropolitan Opera: Tosca

PG

Extraordinary soprano Lise Davidsen stars as the volatile diva Floria Tosca for her first time at the Met. David McVicar’s thrilling production also features tenor Freddie De Tommaso in his eagerly anticipated company debut as Tosca’s revolutionary lover, Cavaradossi, and powerhouse baritone Quinn Kelsey as the sadistic chief of police Scarpia. Maestro Xian Zhang conducts the electrifying score, which features some of Puccini’s most memorable melodies.

Saturday 11, January

The Wild Robot

The Wild Robot

Gfor action/peril and thematic elements.

From DreamWorks Animation comes a new adaptation of a literary sensation, Peter Brown’s beloved, award-winning, #1 New York Times bestseller, The Wild Robot. The epic adventure follows the journey of a robot—ROZZUM unit 7134, “Roz” for short — that is shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling. The Wild Robot stars Academy Award® winner Lupita Nyong’o (Us, The Black Panther franchise) as robot Roz; Emmy and Golden Globe nominee Pedro Pascal (The Last of Us, The Mandalorian) as fox Fink; Emmy winner Catherine O’Hara (Schitt’s Creek, Best in Show) as opossum Pinktail; Oscar® nominee Bill Nighy (Living, Love Actually) as goose Longneck; Kit Connor (Heartstopper, Rocketman) as gosling Brightbill and Oscar® nominee Stephanie Hsu (Everything Everywhere All at Once, this summer’s The Fall Guy) as Vontra, a robot that will intersect with Roz’s life on the island. The film also features the voice talents of Emmy winning pop-culture icon Mark Hamill (Star Wars franchise, The Boy and the Heron), Matt Berry (What We Do in the Shadows, The SpongeBob Movie franchise) and Golden Globe winner and Emmy nominee Ving Rhames (Mission: Impossible films, Pulp Fiction). A powerful story about the discovery of self, a thrilling examination of the bridge between technology and nature and a moving exploration of what it means to be alive and connected to all living things, The Wild Robot is written and directed by three-time Oscar® nominee Chris Sanders—the writer-director of DreamWorks Animation’s How to Train Your Dragon, The Croods, and Disney’s Lilo & Stitch—and is produced by Jeff Hermann (DreamWorks Animation’s The Boss Baby 2: Family Business; co-producer, Kung Fu Panda franchise).

Tuesday 22, October

Wednesday 23, October

Thursday 24, October

Show Future Dates
Venom: The Last Dance

Venom: The Last Dance

PGfor intense sequences of violence and action, bloody images and strong language.

In Venom: The Last Dance, Tom Hardy returns as Venom, one of Marvel’s greatest and most complex characters, for the final film in the trilogy. Eddie and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will bring the curtains down on Venom and Eddie's last dance.

Friday 25, October

Saturday 26, October

Sunday 27, October

Monday 28, October

Tuesday 29, October

Wednesday 30, October

Thursday 31, October

Show Future Dates
White Bird

White Bird

PGfor some strong violence, thematic material and language.

Julian (Bryce Gheisar) has struggled to belong ever since he was expelled from his former school. To transform his life, Julian's grandmother (Helen Mirren) finally reveals to Julian her own story of courage — during her youth in Nazi-occupied France, when a boy sheltered her from mortal danger. As the only two Jewish kids in school, Mlle Petitjean (Patsy Ferran) and Julien (Orlando Schwerdt) escape from Nazi forces and hide away in a cottage with Julien's mother (Gillian Anderson). They find first love in a stunning, magical world of their own creation, while they do everything in their power to stay alive. Based on the book by R.J. Palacio.

Friday 1, November

Saturday 2, November

Monday 4, November

Tuesday 5, November

Wednesday 6, November

Thursday 7, November

Show Future Dates