In Eleanor The Great, June Squibb brings to vivid life the witty and proudly troublesome 94-year-old Eleanor Morgenstein, who after a devastating loss, tells a tale that takes on a dangerous life of its own. Scarlett Johansson’s directorial debut is a comically poignant exploration of how the stories we hear become the stories we tell.

Our canine hero, Indy, finds himself on a new adventure with his human owner—and best friend—Todd, leaving city life for a long-vacant family home in the country. From the start, two things are abundantly clear: Indy is wary of the creepy old house, and his affection for Todd is unwavering. After moving in, Indy is immediately vexed by empty corners, tracks an invisible presence only he can see, perceives phantasmagoric warnings from a long-dead dog, and is haunted by visions of the previous occupant’s grim death. When Todd begins succumbing to the dark forces swirling around the house, Indy must battle a malevolence intent on dragging his beloved Todd into the afterlife.

A world-renowned K-Pop girl group balances their lives in the spotlight with their secret identities as bad-ass demon hunters, set against a colorful backdrop of fashion, food, style, and the most popular music movement of the current generation.

ACT I In the village square, preparations are under way for the wedding of Elvino and Amina, a village favorite. Only Lisa, the practical-minded innkeeper, who was once engaged to Elvino herself, is unhappy. Amina enters and expresses her happiness and gratitude to all and especially to Teresa, who brought her up after she was orphaned (“Come per me sereno”). Elvino rushes in late for the contract signing and offers a bouquet of violets to Amina in apology, then gives her a ring that belonged to his mother (Duet: “Prendi, l’anel ti dono”). Suddenly, a stranger arrives—Count Rodolfo in disguise. After accepting Lisa’s offer to spend the night at the inn he declares his love for this place that he has not seen in years (“Vi ravviso, o luoghi ameni”). Noticing Amina, he is struck by her resemblance to a great love of his youth. As it grows dark, the villagers become apprehensive and Teresa explains to the stranger that a ghost haunts the town. Amused, the stranger says he’d like to see the ghost, then departs, followed by the villagers. Alone, Elvino and Amina quarrel over the count’s attentions to Amina, but Elvino soon apologizes for his jealousy (Duet: “Son geloso del zeffiro errante”). At the inn, Lisa has identified the stranger as the lost heir of the former local count. The two of them flirt, when suddenly there is a noise and Lisa hides in the closet, dropping her handkerchief. Amina enters, walking in her sleep. Rodolfo realizes that she must be the village “ghost.” Lisa, however, assumes Amina is coming to meet Rodolfo as a lover and slips away. Moved by her unconscious expressions of love for Elvino, Rodolfo leaves Amina innocently asleep on his bed. Unfortunately, the ever-inquisitive villagers choose this moment to come sneaking in to get another look at the stranger. Lisa appears with Elvino and Teresa, and everyone is shocked to find Amina in the count’s bed. Awakened by the commotion, the girl protests her innocence (“D’un pensiero e d’un accento”). For a moment, the entire village seems heartbroken over Amina’s betrayal, but soon rage sets in. In spite of Teresa’s pleas and Amina’s protestations, Elvino calls off the wedding and, with the rest of the village, turns on Amina (“Non più nozze”) In the ensuing chaos, Teresa picks up Lisa’s handkerchief. ACT II Feeling repentant, the villagers walk through a wood to Count Rodolfo’s castle, to speak to him regarding Amina’s case. Amina and Teresa enter and overhear Elvino lamenting (“Tutto è sciolto”). When he sees Amina, he reproaches her again and takes his ring from her. The villagers return to say that Rodolfo has confirmed Amina’s innocence and is on his way, but Elvino refuses to see his “rival” and leaves in despair. Amina is led away by Teresa. Elvino has decided to marry Lisa after all. He enters to lead her to church, but they are interrupted by the arrival of Rodolfo, who again proclaims Amina’s innocence, explaining to the incredulous crowd that she was only sleepwalking. Teresa appears, asking for quiet, since Amina has fallen asleep from exhaustion. She is shocked to see that Lisa is about to marry Elvino, who replies that Lisa was not found in another man’s room. When Teresa produces the handkerchief, Elvino realizes that Lisa has lied to him. Suddenly Amina appears, sleepwalking at a great height along a treacherous ledge. Afraid of waking her, the villagers watch and pray for her as she slowly reaches safety. Still asleep, Amina mourns the loss of Elvino, remembering the flowers he gave her that have since faded, and searching for her lost ring (“Ah! non credea mirarti”). Convinced of her innocence and unable to watch her suffer any longer, Elvino puts the ring back on her finger. Waking, Amina’s embarrassment turns to joy when she realizes that her dream has come true.

“TRON: Ares” follows a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings.

“TRON: Ares” follows a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings.

Elphaba (Cynthia Erivo), now demonized as The Wicked Witch of the West, lives in exile, hidden within the Ozian forest while continuing her fight for the freedom of Oz’s silenced Animals and desperately trying to expose the truth she knows about The Wizard (Jeff Goldblum). Glinda, meanwhile, has become the glamorous symbol of Goodness for all of Oz, living at the palace in Emerald City and reveling in the perks of fame and popularity. Under the instruction of Madame Morrible (Oscar® winner Michelle Yeoh), Glinda is deployed to serve as an effervescent comfort to Oz, reassuring the masses that all is well under the rule of The Wizard. As Glinda’s stardom expands and she prepares to marry Prince Fiyero (Olivier award winner and Emmy and SAG nominee Jonathan Bailey) in a spectacular Ozian wedding, she is haunted by her separation from Elphaba. She attempts to broker a conciliation between Elphaba and The Wizard, but those efforts will fail, driving Elphaba and Glinda only further apart. The aftershocks will transform Boq (Tony nominee Ethan Slater) and Fiyero forever, and threaten the safety of Elphaba’s sister, Nessarose (Marissa Bode), when a girl from Kansas comes crashing into all their lives. As an angry mob rises against the Wicked Witch, Glinda and Elphaba will need to come together one final time. With their singular friendship now the fulcrum of their futures, they will need to truly see each other, with honesty and empathy, if they are to change themselves, and all of Oz, for good.