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OC Captions on Screen

Wednesday 7, January

Marty Supreme

Marty Supreme

Rfor language throughout, sexual content, some violent content/bloody images and nudity.

Zootopia 2

Zootopia 2

PGfor action/violence and rude humor.

Wednesday 7, January

Avatar: Fire and Ash 3D

Avatar: Fire and Ash 3D

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Wednesday 7, January

The Housemaid

The Housemaid

Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.

Wednesday 7, January

Avatar: Fire and Ash

Avatar: Fire and Ash

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Wednesday 7, January

The SpongeBob Movie: Search for Squarepants

The SpongeBob Movie: Search for Squarepants

PGfor rude humor, some thematic elements, and mild language.

Wednesday 7, January

Song Sung Blue

Song Sung Blue

PG-13 for thematic material, some strong language, some sexual material and brief drug use.

Wednesday 7, January

Wicked: For Good

Wicked: For Good

PGfor action/violence, some suggestive material and thematic material.

Wednesday 7, January

Anaconda

Anaconda

PG-13for violence/action, strong language, some drug use and suggestive references.

Wednesday 7, January

Anaconda (OC)

Anaconda (OC)

PG-13for violence/action, strong language, some drug use and suggestive references.

Wednesday 7, January

Thursday 8, January

Anaconda

Anaconda

PG-13for violence/action, strong language, some drug use and suggestive references.

Thursday 8, January

Marty Supreme

Marty Supreme

Rfor language throughout, sexual content, some violent content/bloody images and nudity.

Zootopia 2

Zootopia 2

PGfor action/violence and rude humor.

Thursday 8, January

Song Sung Blue

Song Sung Blue

PG-13 for thematic material, some strong language, some sexual material and brief drug use.

Thursday 8, January

Avatar: Fire and Ash 3D

Avatar: Fire and Ash 3D

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Thursday 8, January

The Housemaid (OC)

The Housemaid (OC)

Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.

Thursday 8, January

The SpongeBob Movie: Search for Squarepants

The SpongeBob Movie: Search for Squarepants

PGfor rude humor, some thematic elements, and mild language.

Thursday 8, January

Avatar: Fire and Ash

Avatar: Fire and Ash

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Thursday 8, January

Wicked: For Good

Wicked: For Good

PGfor action/violence, some suggestive material and thematic material.

Thursday 8, January

The Housemaid

The Housemaid

Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.

Thursday 8, January

Greenland 2: Migration

Greenland 2: Migration

PG-13for some strong violence, bloody images, and action.

Thursday 8, January

Primate

Primate

R

Thursday 8, January

Friday 9, January

Primate

Primate

R

Avatar: Fire and Ash

Avatar: Fire and Ash

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Friday 9, January

Greenland 2: Migration

Greenland 2: Migration

PG-13for some strong violence, bloody images, and action.

Is This Thing On?

Is This Thing On?

Rfor language throughout, sexual references and some drug use.

Zootopia 2

Zootopia 2

PGfor action/violence and rude humor.

Friday 9, January

Marty Supreme

Marty Supreme

Rfor language throughout, sexual content, some violent content/bloody images and nudity.

Anaconda

Anaconda

PG-13for violence/action, strong language, some drug use and suggestive references.

Friday 9, January

Wicked: For Good

Wicked: For Good

PGfor action/violence, some suggestive material and thematic material.

Friday 9, January

Song Sung Blue

Song Sung Blue

PG-13 for thematic material, some strong language, some sexual material and brief drug use.

The Housemaid

The Housemaid

Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.

Avatar: Fire and Ash 3D

Avatar: Fire and Ash 3D

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Friday 9, January

Saturday 10, January

Primate

Primate

R

Avatar: Fire and Ash

Avatar: Fire and Ash

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Saturday 10, January

Greenland 2: Migration

Greenland 2: Migration

PG-13for some strong violence, bloody images, and action.

Zootopia 2

Zootopia 2

PGfor action/violence and rude humor.

Saturday 10, January

Anaconda

Anaconda

PG-13for violence/action, strong language, some drug use and suggestive references.

Saturday 10, January

Marty Supreme

Marty Supreme

Rfor language throughout, sexual content, some violent content/bloody images and nudity.

The Metropolitan Opera: I Puritani

The Metropolitan Opera: I Puritani

NR

Saturday 10, January

Song Sung Blue

Song Sung Blue

PG-13 for thematic material, some strong language, some sexual material and brief drug use.

Saturday 10, January

The Housemaid

The Housemaid

Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.

Saturday 10, January

Is This Thing On?

Is This Thing On?

Rfor language throughout, sexual references and some drug use.

Saturday 10, January

Avatar: Fire and Ash 3D

Avatar: Fire and Ash 3D

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Saturday 10, January

Sunday 11, January

Primate

Primate

R

Avatar: Fire and Ash

Avatar: Fire and Ash

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Sunday 11, January

Greenland 2: Migration

Greenland 2: Migration

PG-13for some strong violence, bloody images, and action.

Zootopia 2

Zootopia 2

PGfor action/violence and rude humor.

Sunday 11, January

Marty Supreme

Marty Supreme

Rfor language throughout, sexual content, some violent content/bloody images and nudity.

Anaconda

Anaconda

PG-13for violence/action, strong language, some drug use and suggestive references.

Sunday 11, January

Wicked: For Good

Wicked: For Good

PGfor action/violence, some suggestive material and thematic material.

Sunday 11, January

Song Sung Blue

Song Sung Blue

PG-13 for thematic material, some strong language, some sexual material and brief drug use.

The Housemaid

The Housemaid

Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.

You Got Gold: A Celebration of John Prine

You Got Gold: A Celebration of John Prine

NR

Sunday 11, January

Is This Thing On?

Is This Thing On?

Rfor language throughout, sexual references and some drug use.

Avatar: Fire and Ash 3D

Avatar: Fire and Ash 3D

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Sunday 11, January

Monday 12, January

Avatar: Fire and Ash 3D

Avatar: Fire and Ash 3D

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Monday 12, January

Anaconda

Anaconda

PG-13for violence/action, strong language, some drug use and suggestive references.

Monday 12, January

Greenland 2: Migration

Greenland 2: Migration

PG-13for some strong violence, bloody images, and action.

Monday 12, January

Marty Supreme

Marty Supreme

Rfor language throughout, sexual content, some violent content/bloody images and nudity.

Monday 12, January

Song Sung Blue

Song Sung Blue

PG-13 for thematic material, some strong language, some sexual material and brief drug use.

Monday 12, January

Zootopia 2

Zootopia 2

PGfor action/violence and rude humor.

Monday 12, January

Is This Thing On?

Is This Thing On?

Rfor language throughout, sexual references and some drug use.

Monday 12, January

The Housemaid

The Housemaid

Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.

Monday 12, January

Primate

Primate

R

Monday 12, January

Wicked: For Good

Wicked: For Good

PGfor action/violence, some suggestive material and thematic material.

Monday 12, January

Avatar: Fire and Ash

Avatar: Fire and Ash

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Monday 12, January

Tuesday 13, January

Flashback Series: Dog Day Afternoon

Flashback Series: Dog Day Afternoon

R

Tuesday 13, January

Song Sung Blue

Song Sung Blue

PG-13 for thematic material, some strong language, some sexual material and brief drug use.

Tuesday 13, January

Anaconda

Anaconda

PG-13for violence/action, strong language, some drug use and suggestive references.

Tuesday 13, January

Marty Supreme

Marty Supreme

Rfor language throughout, sexual content, some violent content/bloody images and nudity.

Tuesday 13, January

Greenland 2: Migration

Greenland 2: Migration

PG-13for some strong violence, bloody images, and action.

Tuesday 13, January

Is This Thing On?

Is This Thing On?

Rfor language throughout, sexual references and some drug use.

Tuesday 13, January

Avatar: Fire and Ash 3D

Avatar: Fire and Ash 3D

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Tuesday 13, January

Zootopia 2

Zootopia 2

PGfor action/violence and rude humor.

Tuesday 13, January

Primate

Primate

R

Tuesday 13, January

Wicked: For Good

Wicked: For Good

PGfor action/violence, some suggestive material and thematic material.

Tuesday 13, January

The Housemaid

The Housemaid

Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.

Tuesday 13, January

Avatar: Fire and Ash

Avatar: Fire and Ash

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Tuesday 13, January

Wednesday 14, January

The Metropolitan Opera: I Puritani

The Metropolitan Opera: I Puritani

NR

Wednesday 14, January

Song Sung Blue

Song Sung Blue

PG-13 for thematic material, some strong language, some sexual material and brief drug use.

Wednesday 14, January

Anaconda

Anaconda

PG-13for violence/action, strong language, some drug use and suggestive references.

Wednesday 14, January

Marty Supreme

Marty Supreme

Rfor language throughout, sexual content, some violent content/bloody images and nudity.

Wednesday 14, January

Greenland 2: Migration

Greenland 2: Migration

PG-13for some strong violence, bloody images, and action.

Wednesday 14, January

Is This Thing On?

Is This Thing On?

Rfor language throughout, sexual references and some drug use.

Wednesday 14, January

Zootopia 2

Zootopia 2

PGfor action/violence and rude humor.

Wednesday 14, January

Avatar: Fire and Ash

Avatar: Fire and Ash

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Wednesday 14, January

Primate

Primate

R

Wednesday 14, January

The Housemaid

The Housemaid

Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.

Wednesday 14, January

You Got Gold: A Celebration of John Prine

You Got Gold: A Celebration of John Prine

NR

Wednesday 14, January

Tuesday 20, January

Flashback Series: The Matrix

Flashback Series: The Matrix

Rfor sci-fi violence and brief language

Tuesday 20, January

Saturday 24, January

The Metropolitan Opera: The Amazing Adventures of

The Metropolitan Opera: The Amazing Adventures of

NR

Saturday 24, January

Sunday 25, January

Sunday AM Classics: La La Land

Sunday AM Classics: La La Land

PG-13for some language

Sunday 25, January

Tuesday 27, January

Flashback Series: Gravity

Flashback Series: Gravity

PG-13for intense perilous sequences, some disturbing images and brief strong language

Tuesday 27, January

Wednesday 28, January

The Metropolitan Opera: The Amazing Adventures of

The Metropolitan Opera: The Amazing Adventures of

NR

Wednesday 28, January

Thursday 29, January

Iron Lung

Iron Lung

Rfor language, bloody images and some gore.

Thursday 29, January

Friday 30, January

Iron Lung

Iron Lung

Rfor language, bloody images and some gore.

Saturday 31, January

Iron Lung

Iron Lung

Rfor language, bloody images and some gore.

Sunday 1, February

Iron Lung

Iron Lung

Rfor language, bloody images and some gore.

Tuesday 3, February

Flashback Series: Dunkirk

Flashback Series: Dunkirk

PG-13for intense war experience and some language

Tuesday 3, February

Friday 6, February

Stray Kids: The dominATE Experience

Stray Kids: The dominATE Experience

TBC

Friday 6, February

Saturday 7, February

Stray Kids: The dominATE Experience

Stray Kids: The dominATE Experience

TBC

Saturday 7, February

Sunday 8, February

Sunday AM Classics: Dirty Dancing

Sunday AM Classics: Dirty Dancing

Sunday 8, February

Monday 9, February

Stray Kids: The dominATE Experience

Stray Kids: The dominATE Experience

TBC

Monday 9, February

Tuesday 10, February

Flashback Series: How to Lose a Guy in 10 Days

Flashback Series: How to Lose a Guy in 10 Days

PG-13for some sex-related material

Tuesday 10, February

Tuesday 17, February

Flashback Series: Sleepless in Seattle

Flashback Series: Sleepless in Seattle

PGfor some language

Tuesday 17, February

Sunday 22, February

Sunday AM Classics: Apocalypse Now

Sunday AM Classics: Apocalypse Now

Rfor disturbing violent images, language, sexual content and some drug use

Sunday 22, February

Tuesday 24, February

Flashback Series: The Bodyguard

Flashback Series: The Bodyguard

Rfor language

Tuesday 24, February

Tuesday 3, March

Flashback Series: Bonnie and Clyde

Flashback Series: Bonnie and Clyde

Rfor violence

Tuesday 3, March

Sunday 8, March

Sunday AM Classics: The King's Speech

Sunday AM Classics: The King's Speech

RRated R for some language

Sunday 8, March

Tuesday 10, March

Flashback Series: The Bridges of Madison County

Flashback Series: The Bridges of Madison County

on appeal for some sexuality and brief strong language

Tuesday 10, March

Tuesday 17, March

Flashback Series: Gran Torino

Flashback Series: Gran Torino

Rfor language throughout, and some violence

Tuesday 17, March

Saturday 21, March

The Metropolitan Opera: Tristan und Isolde (2026)

The Metropolitan Opera: Tristan und Isolde (2026)

NR

Saturday 21, March

Sunday 22, March

Sunday AM Classics: Out of Africa

Sunday AM Classics: Out of Africa

PG

Sunday 22, March

Tuesday 24, March

Flashback Series: Argo

Flashback Series: Argo

Rfor language and some violent images

Tuesday 24, March

Wednesday 25, March

The Metropolitan Opera: Tristan und Isolde (2026)

The Metropolitan Opera: Tristan und Isolde (2026)

NR

Wednesday 25, March

Sunday 5, April

Sunday AM Classics: Singin' in the Rain

Sunday AM Classics: Singin' in the Rain

G

Sunday 5, April

Sunday 19, April

Sunday AM Classics: The Outsiders

Sunday AM Classics: The Outsiders

PG

Sunday 19, April

Saturday 2, May

The Metropolitan Opera: Eugene Onegin (2026)

The Metropolitan Opera: Eugene Onegin (2026)

NR

Saturday 2, May

Sunday 3, May

Sunday AM Classics: Breakfast at Tiffany's

Sunday AM Classics: Breakfast at Tiffany's

Sunday 3, May

Wednesday 6, May

The Metropolitan Opera: Eugene Onegin (2026)

The Metropolitan Opera: Eugene Onegin (2026)

NR

Wednesday 6, May

Saturday 30, May

The Metropolitan Opera: El Último Sueño de Frida y

The Metropolitan Opera: El Último Sueño de Frida y

NR

Saturday 30, May

Wednesday 3, June

The Metropolitan Opera: El Último Sueño de Frida y

The Metropolitan Opera: El Último Sueño de Frida y

NR

Wednesday 3, June

OC Captions on Screen
Anaconda

Anaconda

PG-13for violence/action, strong language, some drug use and suggestive references.

Doug (Jack Black) and Griff (Paul Rudd) have been best friends since they were kids, and have always dreamed of remaking their all-time favourite movie: the cinematic "classic" Anaconda. When a midlife crisis pushes them to finally go for it, they head deep into the Amazon to start filming. But things get real when an actual giant anaconda appears, turning their comically chaotic movie set into a deadly situation. The movie they’re dying to make? It might just get them killed......

Wednesday 7, January

Thursday 8, January

Friday 9, January

Saturday 10, January

Sunday 11, January

Monday 12, January

Tuesday 13, January

Wednesday 14, January

Show Future Dates
Anaconda (OC)

Anaconda (OC)

PG-13for violence/action, strong language, some drug use and suggestive references.

OPEN CAPTION SHOWING: Doug (Jack Black) and Griff (Paul Rudd) have been best friends since they were kids, and have always dreamed of remaking their all-time favourite movie: the cinematic "classic" Anaconda. When a midlife crisis pushes them to finally go for it, they head deep into the Amazon to start filming. But things get real when an actual giant anaconda appears, turning their comically chaotic movie set into a deadly situation. The movie they’re dying to make? It might just get them killed......

Wednesday 7, January

Avatar: Fire and Ash

Avatar: Fire and Ash

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Jake and Neytiri's family grapples with grief after Neteyam's death, encountering a new, aggressive Na'vi tribe, the Ash People, who are led by the fiery Varang, as the conflict on Pandora escalates and a new moral focus emerges.

Wednesday 7, January

Thursday 8, January

Friday 9, January

Saturday 10, January

Sunday 11, January

Monday 12, January

Tuesday 13, January

Wednesday 14, January

Show Future Dates
Avatar: Fire and Ash 3D

Avatar: Fire and Ash 3D

for intense sequences of violence and action, bloody images, some strong language, thematic elements and suggestive material.

Jake and Neytiri's family grapples with grief after Neteyam's death, encountering a new, aggressive Na'vi tribe, the Ash People, who are led by the fiery Varang, as the conflict on Pandora escalates and a new moral focus emerges.

Wednesday 7, January

Thursday 8, January

Friday 9, January

Saturday 10, January

Sunday 11, January

Monday 12, January

Tuesday 13, January

Show Future Dates
Flashback Series: Argo

Flashback Series: Argo

Rfor language and some violent images

Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.

Tuesday 24, March

Flashback Series: Bonnie and Clyde

Flashback Series: Bonnie and Clyde

Rfor violence

Depicting the real-life crime spree and love story of bank robbers Bonnie Parker (Dunaway) and Clyde Barrow (Beatty) in depression-era America. As young gangsters in love, who attack the wealthy establishment and live by their own rules, Bonnie and Clyde capture the attention of an entire country as they try to elude law enforcement.

Tuesday 3, March

Flashback Series: Dog Day Afternoon

Flashback Series: Dog Day Afternoon

R

A man robs a bank to pay for his lover's operation; it turns into a hostage situation and a media circus.

Tuesday 13, January

Flashback Series: Dunkirk

Flashback Series: Dunkirk

PG-13for intense war experience and some language

Miraculous evacuation of Allied soldiers from Belgium, Britain and France, who were cut off and surrounded by the German army from the beaches and harbor of Dunkirk, France, between May 27- June 04, 1940, during Battle of France in World War II.

Tuesday 3, February

Flashback Series: Gran Torino

Flashback Series: Gran Torino

Rfor language throughout, and some violence

Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, Thao Lor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.

Tuesday 17, March

Flashback Series: Gravity

Flashback Series: Gravity

PG-13for intense perilous sequences, some disturbing images and brief strong language

Dr. Ryan Stone, a brilliant medical engineer, is on her first Shuttle mission, with veteran astronaut Matt Kowalsky in command of his last flight before retiring. But on a seemingly routine spacewalk, disaster strikes. The Shuttle is destroyed, leaving Stone and Kowalsky completely alone-tethered to nothing but each other and spiraling out into the blackness of space. The deafening silence tells them they have lost any link to Earth and any chance for rescue. As fear turns to panic, every gulp of air eats away at what little oxygen is left. But the only way home may be to go further out into the terrifying expanse of space.

Tuesday 27, January

Flashback Series: How to Lose a Guy in 10 Days

Flashback Series: How to Lose a Guy in 10 Days

PG-13for some sex-related material

Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.

Tuesday 10, February

Flashback Series: Sleepless in Seattle

Flashback Series: Sleepless in Seattle

PGfor some language

After his wife Maggie passes away, Sam Baldwin and his 8-year-old son Jonah relocate from Chicago to Seattle to escape the grief associated with Maggie's death. Eighteen months later Sam is still grieving and can't sleep. Although Jonah misses his mother, he wants his father to get a new wife despite Sam having not even contemplated dating again. On Christmas Eve, Sam (on Jonah's initiative) ends up pouring his heart out on a national radio talk show about his magical and perfect marriage to Maggie, and how much he still misses her. Among the many women who hear Sam's story and fall in love with him solely because of it is Annie Reed, a Baltimore-based newspaper writer. Annie's infatuation with Sam's story and by association Sam himself is despite being already engaged. But Annie's relationship with her straight-laced fiance Walter is unlike her dream love life in the movie An Affair to Remember (1957)

Tuesday 17, February

Flashback Series: The Bodyguard

Flashback Series: The Bodyguard

Rfor language

A former Secret Service agent takes on the job of bodyguard to a pop singer, whose lifestyle is most unlike a President's.

Tuesday 24, February

Flashback Series: The Bridges of Madison County

Flashback Series: The Bridges of Madison County

on appeal for some sexuality and brief strong language

Photographer Robert Kincaid (Clint Eastwood) wanders into the life of housewife Francesca Johnson (Meryl Streep) for four days in the 1960s.

Tuesday 10, March

Flashback Series: The Matrix

Flashback Series: The Matrix

Rfor sci-fi violence and brief language

Thomas A. Anderson is a man living two lives. By day he is an average computer programmer and by night a hacker known as Neo. Neo has always questioned his reality, but the truth is far beyond his imagination. Neo finds himself targeted by the police when he is contacted by Morpheus, a legendary computer hacker branded a terrorist by the government. Morpheus awakens Neo to the real world, a ravaged wasteland where most of humanity have been captured by a race of machines that live off of the humans' body heat and electrochemical energy and who imprison their minds within an artificial reality known as the Matrix. As a rebel against the machines, Neo must return to the Matrix and confront the agents: super-powerful computer programs devoted to snuffing out Neo and the entire human rebellion.

Tuesday 20, January

Greenland 2: Migration

Greenland 2: Migration

PG-13for some strong violence, bloody images, and action.

In the aftermath of a comet strike that decimated most of the earth, GREENLAND 2: MIGRATION follows the Garrity family (Gerard Butler, Morena Baccarin, and Roman Griffin Davis) as they’re forced to leave the safety of their bunker in Greenland to traverse a shattered world in search of a new home.

Iron Lung

Iron Lung

Rfor language, bloody images and some gore.

The stars are gone. The planets have disappeared. Only those on space stations or starships were left to give the end a name. The Quiet Rapture. The universe dims. Humanity decays. Barren moons are all that remain. The last remnants search for any trace of natural resources among them. With only ghost light of long-vanished stars to guide them. But one moon stands apart from the rest. And in the darkness of that moon. An ocean of blood.

Is This Thing On?

Is This Thing On?

Rfor language throughout, sexual references and some drug use.

As their marriage quietly unravels, Alex (Will Arnett) faces middle age and an impending divorce, seeking new purpose in the New York comedy scene while Tess (Laura Dern) confronts the sacrifices she made for their family—forcing them to navigate co-parenting, identity, and whether love can take a new form.

Marty Supreme

Marty Supreme

Rfor language throughout, sexual content, some violent content/bloody images and nudity.

Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.

Primate

Primate

R

In PRIMATE, a group of friends’ tropical vacation turns into a terrifying, primal tale of horror and survival.

Song Sung Blue

Song Sung Blue

PG-13 for thematic material, some strong language, some sexual material and brief drug use.

Based on a true story, two down-on-their-luck musicians (Hugh Jackman and Kate Hudson) form a joyous Neil Diamond tribute band, proving it's never too late to find love and follow your dreams.

Stray Kids: The dominATE Experience

Stray Kids: The dominATE Experience

TBC

The film features the live performance of Stray Kids' sold-out Sofi Stadium shows in late May, as well as behind the scenes footage that lets fans into the hidden world of one of the biggest and most popular K-Pop groups on the planet. For those that can't attend a Stray Kids stadium show, it will provide them a front-row seat.

Friday 6, February

Saturday 7, February

Monday 9, February

Show Future Dates
Sunday AM Classics: Apocalypse Now

Sunday AM Classics: Apocalypse Now

Rfor disturbing violent images, language, sexual content and some drug use

Francis Ford Coppola’s Apocalypse Now in its 40th year presents a new, never-before-seen restored version of the film. The new film Apocalypse Now Final Cut, has been remastered in 4K Ultra HD. Apocalypse Now Final Cut employs a ground-breaking sound system engineered to create a truly visceral experience. In addition, the film has been enhanced with High Dynamic Range HDR, delivering spectacular colors and highlights, with brighter brights and darker-dark the result is breathtaking realism.

Sunday 22, February

Sunday AM Classics: Breakfast at Tiffany's

Sunday AM Classics: Breakfast at Tiffany's

Based on Truman Capote's novel, this is the story of a young woman in New York City who meets a young man when he moves into her apartment building. He is with an older woman who is very wealthy, but he wants to be a writer. She is working as an expensive escort and searching for a rich, older man to marry.

Sunday 3, May

Sunday AM Classics: Dirty Dancing

Sunday AM Classics: Dirty Dancing

Spending the summer at a Catskills resort with her family, Frances "Baby" Houseman falls in love with the camp's dance instructor, Johnny Castle.

Sunday 8, February

Sunday AM Classics: La La Land

Sunday AM Classics: La La Land

PG-13for some language

Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

Sunday 25, January

Sunday AM Classics: Out of Africa

Sunday AM Classics: Out of Africa

PG

In 20th-century colonial Kenya, a Danish baroness/plantation owner has a passionate love affair with a free-spirited big-game hunter.

Sunday 22, March

Sunday AM Classics: Singin' in the Rain

Sunday AM Classics: Singin' in the Rain

G

Working his way up from being a song and dance man to one of the top movie stars of the silent era, Don Lockwood finds his career in jeopardy with the advent of talkies. Studio bosses insist that his next production features synchronised sound, but it becomes abundantly clear that his egocentric co-star does not have a voice suited for the new medium. Don recruits an aspiring “serious” actress to dub the parts and raises his co-star’s anger even further when he starts to fall for her.

Sunday 5, April

Sunday AM Classics: The King's Speech

Sunday AM Classics: The King's Speech

RRated R for some language

The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.

Sunday 8, March

Sunday AM Classics: The Outsiders

Sunday AM Classics: The Outsiders

PG

A teen gang in rural Oklahoma, the Greasers are perpetually at odds with the Socials, a rival group. When Greasers Ponyboy (C. Thomas Howell) and Johnny (Ralph Macchio) get into a brawl that ends in the death of a Social member, the boys are forced to go into hiding. Soon Ponyboy and Johnny, along with the intense Dallas (Matt Dillon) and their other Greaser buddies, must contend with the consequences of their violent lives. While some Greasers try to achieve redemption, others meet tragic ends.

Sunday 19, April

The Housemaid

The Housemaid

Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.

THE HOUSEMAID is a wildly entertaining thriller starring Sydney Sweeney and Amanda Seyfried, based on the best-selling book. From director Paul Feig, the film plunges audiences into a twisted world where perfection is an illusion, and nothing is as it seems. Trying to escape her past, Millie (Sweeney) accepts a job as a live-in housemaid for the wealthy Nina (Seyfried) and Andrew Winchester (Brandon Sklenar). But what begins as a dream job quickly unravels into something far more dangerous — a sexy, seductive game of secrets, scandal, and power. Behind the Winchesters’ closed doors lies a world of shocking twists that will leave you guessing until the very end.

Wednesday 7, January

Thursday 8, January

Saturday 10, January

Monday 12, January

Tuesday 13, January

Wednesday 14, January

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The Housemaid (OC)

The Housemaid (OC)

Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.

OPEN CAPTION SHOWING: THE HOUSEMAID is a wildly entertaining thriller starring Sydney Sweeney and Amanda Seyfried, based on the best-selling book. From director Paul Feig, the film plunges audiences into a twisted world where perfection is an illusion, and nothing is as it seems. Trying to escape her past, Millie (Sweeney) accepts a job as a live-in housemaid for the wealthy Nina (Seyfried) and Andrew Winchester (Brandon Sklenar). But what begins as a dream job quickly unravels into something far more dangerous — a sexy, seductive game of secrets, scandal, and power. Behind the Winchesters’ closed doors lies a world of shocking twists that will leave you guessing until the very end.

Thursday 8, January

The Metropolitan Opera: El Último Sueño de Frida y

The Metropolitan Opera: El Último Sueño de Frida y

NR

American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.

Saturday 30, May

Wednesday 3, June

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The Metropolitan Opera: Eugene Onegin (2026)

The Metropolitan Opera: Eugene Onegin (2026)

NR

ACT I Russia, 19th century. Autumn in the country. On the Larin estate. Madame Larina reflects upon the days before she married, when she was courted by her husband but loved another. She is now a widow with two daughters: Tatiana and Olga. While Tatiana spends her time reading novels, with whose heroines she closely identifies, Olga is being courted by their neighbor, the poet Lenski. He arrives unexpectedly, bringing with him a new visitor, Eugene Onegin, with whom Tatiana falls in love. Tatiana asks her nurse Filippyevna to tell her of her first love and marriage. Tatiana stays up all night writing a passionate letter to Onegin and persuades Filippyevna to have her grandson deliver it in the morning. Tatiana waits for Onegin’s response in the garden. He admits that he was touched by her declaration but explains that he cannot accept it and can only offer her friendship. He advises her to control her emotions, lest another man take advantage of her innocence. ACT II January. The local community has been invited to the Larin estate to celebrate Tatiana’s name day. Onegin has reluctantly agreed to accompany Lenski to what he mistakenly believes will be an intimate family celebration. Annoyed to find himself trapped at an enormous party and bored by the occasion, Onegin takes his revenge on Lenski by flirting and dancing with Olga. Lenski’s jealousy is aroused to such a height that he challenges Onegin to a duel. The party breaks up. Before the duel, Lenski meditates upon his poetry, upon his love for Olga, and upon death. Lenski’s second finds Onegin’s late arrival and his choice of a second insulting. Although both Lenski and Onegin are full of remorse, neither stops the duel. Lenski is killed. ACT III St. Petersburg. Having travelled abroad for several years since the duel, Onegin has returned to the capital. At a ball, Prince Gremin introduces his young wife. Onegin is astonished to recognize her as Tatiana and to realize that he is in love with her. Onegin has sent a letter to Tatiana. He arrives at the Gremin palace and begs her to run away with him. Tatiana admits that she still loves him, but that she has made her decision and will not leave her husband. Onegin is left desperate. —Reprinted courtesy of English National Opera

Saturday 2, May

Wednesday 6, May

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The Metropolitan Opera: I Puritani

The Metropolitan Opera: I Puritani

NR

ACT I England, around 1650. Plymouth, a Puritan stronghold, is threatened by siege from the Royalist troops. Distant voices herald the wedding day of Elvira, daughter of Gualtiero, the fortress’s commander. Riccardo enters lamenting that his promised bride, Elvira, loves another man—a Stuart partisan. Her father will not force her to marry against her will, it seems, so Riccardo’s friend Sir Bruno urges him to devote his life to leading the parliamentary forces. Elvira tells her uncle, Giorgio, that she would rather die than marry Riccardo. Her uncle reassures her that he has persuaded her father to let her marry her lover, Arturo. Although Arturo is a Royalist, he is heralded as he approaches the castle. Everyone gathers for the wedding celebration and Arturo greets his bride. He learns that King Charles’s widow, Queen Enrichetta, is a prisoner in the castle and soon to be taken to trial in London. Alone with the queen, Arturo offers to save her even if it means his death. Elvira returns with the bridal veil and capriciously places it over Enrichetta’s head. When he is alone again with the queen, Arturo explains that the veil will provide the perfect disguise for escape from the castle. As they are about to leave, Riccardo stops them, determined to kill his rival. Enrichetta separates them and reveals her identity. Riccardo lets them get away, knowing this will ruin Arturo. The others return for the wedding, and Riccardo tells of Arturo’s escape with Enrichetta. Soldiers rush off in pursuit. Elvira, believing herself betrayed, is overcome by madness. ACT II The townsfolk mourn Elvira’s mental breakdown. Giorgio explains that she continues to long for Arturo. Riccardo arrives to announce that Arturo has been condemned to death by Parliament. The Puritans depart. Elvira wanders in, reliving her happy past. In her madness, she mistakes Riccardo for Arturo and dreams of her wedding. When she leaves, Giorgio tries to convince Riccardo to save Arturo. At first indignant, Riccardo is finally moved to help Elvira, and the two men unite in patriotism: if Arturo returns as a friend, he shall live—if as an armed enemy, he shall die. ACT III In Elvira’s garden, Arturo reveals that love for her has brought him back to Plymouth. He overhears her sing their old love song and is torn between his affection and his loyalty to the Stuarts. Elvira herself appears and Arturo reassures her that she is his only love. Soldiers rush in to arrest Arturo. Just then, a diplomat arrives with the news of the Royalists’ final defeat and a general amnesty for all the offenders. The shock of this news restores Elvira’s senses, and all rejoice in the peace as Elvira and Arturo embrace their new happiness.

Saturday 10, January

Wednesday 14, January

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The Metropolitan Opera: The Amazing Adventures of

The Metropolitan Opera: The Amazing Adventures of

NR

Plot unknown

Saturday 24, January

Wednesday 28, January

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The Metropolitan Opera: Tristan und Isolde (2026)

The Metropolitan Opera: Tristan und Isolde (2026)

NR

ACT I Isolde, an Irish princess, is being taken to Cornwall aboard the ship of Tristan, whose uncle, King Marke, plans to marry her. She becomes enraged by a sailor’s song about an Irish girl, and her maid, Brangäne, tries to calm her. Isolde interrogates Tristan, but he replies evasively. His companion Kurwenal loudly ridicules the Irish women and sings a mocking verse about Morold, Isolde’s fiancé, who was killed by Tristan when he came to Cornwall to exact tribute for Ireland. Isolde, barely able to control her anger, tells Brangäne how the wounded Tristan came to her in disguise after his fight with Morold so that he could be healed by Isolde’s knowledge of herbs and magic, which she learned from her mother. Isolde explains to Brangäne that she recognized Tristan, but her determination to take revenge for Morold’s death dissolved when he pleadingly looked her in the eyes. She now bitterly regrets her reluctance to kill him and wishes death for him and herself. Brangäne reminds her that to marry a king is no dishonor and that Tristan is simply performing his duty. Isolde maintains that his behavior shows his lack of love for her, and asks Brangäne to prepare her mother’s death potion. Kurwenal tells the women to prepare to leave the ship, as shouts from the deck announce the sighting of land. Isolde insists that she will not accompany Tristan until he apologizes for his offenses. He appears and greets her with cool courtesy. When she tells him she wants satisfaction for Morold’s death, Tristan offers her his sword, but she will not kill him. Instead, Isolde suggests that she and Tristan make peace with a drink of friendship. He understands that she means to poison them both, but still drinks, and she does the same. Expecting death, they exchange a long look of love, then fall into each other’s arms. Brangäne admits that she has in fact mixed a love potion, as sailors’ voices announce the ship’s arrival in Cornwall. ACT II In the garden of Marke’s castle, Isolde waits impatiently for a rendezvous with Tristan, while distant horns signal the king’s departure on a hunting party. Isolde believes that the party is far off, but Brangäne warns her about spies, particularly Melot, a jealous knight whom she has noticed watching Tristan. Isolde replies that Melot is Tristan’s friend. She sends Brangäne off to stand watch and puts out the warning torch. When Tristan appears, she welcomes him passionately. They praise the darkness that shuts out the light of conventionality and false appearances and agree that they feel secure in the night’s embrace. Brangäne’s distant voice warns that it will be daylight soon, but the lovers are oblivious to any danger and compare the night to death, which will ultimately unite them. Kurwenal rushes in with a warning: the king and his followers have returned, led by Melot, who denounces the lovers. Moved and disturbed, Marke declares that it was Tristan himself who urged him to marry and choose the bride. He does not understand how someone so dear to him could dishonor him in such a way. Tristan cannot answer. He asks Isolde if she will follow him into the realm of death. When she accepts, Melot attacks Tristan, who falls wounded into Kurwenal’s arms. ACT III Back at his castle, the mortally ill Tristan is tended by Kurwenal. A shepherd inquires about his master, and Kurwenal explains that only Isolde, with her magic arts, could save him. The shepherd agrees to play a cheerful tune on his pipe as soon as he sees a ship approaching. Hallucinating, Tristan imagines the realm of night where he will return with Isolde. He thanks Kurwenal for his devotion, then envisions Isolde’s ship approaching, but the shepherd’s mournful tune signals that the sea is still empty. Tristan recalls the melody, which he heard as a child. It reminds him of the duel with Morold, and he wishes Isolde’s medicine had killed him then instead of making him suffer now. The shepherd’s tune finally turns cheerful. Tristan gets up from his sickbed in growing agitation and tears off his bandages, letting his wounds bleed. Isolde rushes in, and he falls, dying, in her arms. When the shepherd announces the arrival of another ship, Kurwenal assumes it carries Marke and Melot, and barricades the gate. Brangäne’s voice is heard from outside, trying to calm Kurwenal, but he will not listen and stabs Melot before he is killed himself by the king’s soldiers. Marke is overwhelmed with grief at the sight of the dead Tristan, while Brangäne explains to Isolde that the king has come to pardon the lovers. Isolde, transfigured, does not hear her, and with a vision of Tristan beckoning her to the world beyond, she sinks dying upon his body.

Saturday 21, March

Wednesday 25, March

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The SpongeBob Movie: Search for Squarepants

The SpongeBob Movie: Search for Squarepants

PGfor rude humor, some thematic elements, and mild language.

SpongeBob and his Bikini Bottom friends set sail in their biggest, all-new, can’t miss cinematic event ever…The SpongeBob Movie: Search for SquarePants. Desperate to be a big guy, SpongeBob sets out to prove his bravery to Mr. Krabs by following The Flying Dutchman – a mysterious swashbuckling ghost pirate – on a seafaring comedy-adventure that takes him to the deepest depths of the deep sea, where no Sponge has gone before.

Wednesday 7, January

Thursday 8, January

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Wicked: For Good

Wicked: For Good

PGfor action/violence, some suggestive material and thematic material.

Follows Elphaba, the future Wicked Witch of the West, and her relationship with Glinda, the Good Witch of the North. The second of a two-part feature film adaptation of the Broadway musical.

Wednesday 7, January

Thursday 8, January

Friday 9, January

Sunday 11, January

Monday 12, January

Tuesday 13, January

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You Got Gold: A Celebration of John Prine

You Got Gold: A Celebration of John Prine

NR

"You Got Gold: A Celebration of John Prine" captures a star-studded tribute to the legendary songwriter, filmed in October 2022 at Nashville's Ryman Auditorium. The event brought together acclaimed artists, friends, and family to share behind-the-scenes stories and perform classic songs, honoring Prine's enduring legacy. Prine, widely celebrated as one of history's greatest songwriters, captivated millions of fans and earned the admiration of icons such as Bonnie Raitt, Brandi Carlile, Tyler Childers, Lucinda Williams, Dwight Yoakam, Jason Isbell, and Bob Weir, amongst many others, are featured in the film performing on the Ryman stage for this special celebration of his life and music.

Sunday 11, January

Wednesday 14, January

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Zootopia 2

Zootopia 2

PGfor action/violence and rude humor.

In Walt Disney Animation Studios’ “Zootopia 2,” detectives Judy Hopps (voiced by Ginnifer Goodwin) and Nick Wilde (voiced by Jason Bateman) find themselves on the twisting trail of a mysterious reptile who arrives in Zootopia and turns the animal metropolis upside down. To crack the case, Judy and Nick must go undercover to unexpected new parts of town, where their growing partnership is tested like never before.

Wednesday 7, January

Thursday 8, January

Friday 9, January

Saturday 10, January

Sunday 11, January

Monday 12, January

Tuesday 13, January

Wednesday 14, January

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