Richard Linklater’s Blue Moon tells the story of legendary lyricist Lorenz Hart bravely facing the future as his professional and private life unravel at the opening night party for his former partner’s hit show Oklahoma! By the time this night is over, Hart will have confronted both a world that no longer values his talent and the seeming impossibility of love. “Oklahoma!”.

Industrial animations, forgotten children’s TV shows, declassified military training films, weird science and more — these ephemeral fragments form an unintentional time capsule. Some hilarious, some disturbing, all unexpectedly beautiful and rescued from government archives, flea markets and basements. Join us for The Human Machine, the first installment of a new film series presented by Cinema Ephemera. Rich Remsberg and Shawn Rosenheim have curated an evening of ephemeral films. “These are films that were not necessarily meant to last beyond their original showings,” said Remsberg. “They weren’t even necessarily meant to be considered films.” “This is an accidental chronicle of 20th century America,” adds Rosenheim, speaking of their collection. “This is a world both very familiar and very strange.” Travel with us through the old, weird America. From 1920s personal hygiene guides to NASA’s zero-gravity experiments to amateur disco exhibitions, this is a celebration of the ordinary and the forgotten. Some of it is funny. Some is disturbing. Much of it is unbelievably beautiful – a revelation of our world in all its poverty and extravagance. “Breaking open the original context of these films allow us to see the gems among the pot shards,” said Remsberg. “You’ll never look at the 20th Century in the same way again.”

Sally (Jane Fonda) says goodbye to her husband (Bruce Dern), who’s fighting in Vietnam, and then strikes up a meaningful relationship with an injured soldier (John Voight). (dir. Hal Ashby, U.S., 1978, 127 min.) “It confronts the relationship between Fonda and Voight with unusual frankness — and with emotional tenderness and subtlety that is, if anything, even harder to portray.” —Roger Ebert Penelope Milford (1948-2025) was an Oscar-nominated actress whose performance as Vi Munson in “Coming Home” earned her a Best Supporting Actress nomination. Beloved by her Hudson Valley community, Upstate Films is screening this film in memory of her.

EPiC features long-lost footage from Presely's legendary Las Vegas residency in the 1970s, woven together with rare 16mm footage from Elvis on Tour, and precious 8mm from the Graceland archive, plus recordings of Elvis telling "his side of the story" rediscovered during Luhrmann's research for his Best Picture Oscar-nominated 2022 film Elvis.

Winner of the Golden Lion Best Film prize at the 2025 Venice Film Festival, FATHER MOTHER SISTER BROTHER is the eagerly-awaited new film from Jim Jarmusch. Funny, tender and astutely observed, this is an intimate exploration of the universal intricacies of family dynamics. Starring Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Indya Moore and Luka Sabbat. Told in the form of a triptych divided into chapters set in New Jersey, Dublin and Paris, each story concerns the relationships between adult children, their somewhat distant parent (or parents), and each other. Blending remarkable performances from its ensemble cast with Jarmusch’s wry and idiosyncratic observations of everyday life, the iconic indie director’s latest serves as a timely reminder that you can choose your friends and your lovers, but you can’t choose your family.

After being stabbed with an ancient, germ-infested knife, a doctor's assistant finds himself with an insatiable desire for blood.

From Academy Award® winning writer/director Chloé Zhao, HAMNET tells the powerful love story that inspired the creation of Shakespeare’s timeless masterpiece, Hamlet.

Live From Upstate The most lauded of Anger's Magick Lantern Cycle, Lucifer Rising is perhaps the most groundbreaking of his films, which go back to the late 1930’s and are cited as major influences for John Waters, David Lynch and others. This film, preceded by "Scorpio Rising," will be paired with a live soundtrack by Constant Smiles. (dir. Kenneth Anger, U.S./U.K./West Germany, 1972, 30 min.) Constant Smiles is a dynamic, ever-evolving musical collective led by songwriter Ben Jones, known for shifting sounds from ambient pop to indie folk, blending hazy textures with profound lyrics about humanity, intimacy, and growth, evolving from its 2009 Martha's Vineyard beginnings into a respected underground scene staple, especially after releasing acclaimed albums like Paragons and Moonflowers on Sacred Bones and Felte labels.

After being unemployed for several years, a man devises a unique plan to secure a new job: eliminate his competition.

Alystyre Julian's OUTRIDER is a cinekinetic portal into fast-speaking poet Anne Waldman transcendent role as a visionary word-worker, from the downtown New York scene and the Poetry Project at St. Mark’s Church, to the ‘Jack Kerouac School of Disembodied Poetics,’ to Big Sur, Mexico City, Morocco, and onward. Guided by ancestors of the Beat generation and poetic kinships with radical female musicians, Outrider channels the ancient, bardic tradition—celebrating the thunderous power of poetry.

What happens when you wake up the morning after leaving the most important rock band of all time? In April 1970, Paul released his first solo album, McCartney, alongside a shocking press release that announced the beloved band had split. When asked what he’d do next, he said his only plan…was to grow up. Man on the Run captures Paul’s transformative decade in the wake of The Beatles’ break-up. Paul and his wife Linda escaped to a remote farm in Scotland and raised their family while Paul grappled with the reality of making music on his own. He decided to start from scratch, putting together a band called Wings, first with only Linda, and then eventually with an ever-rotating line-up of musicians. Paul wrestled with critics who wouldn’t acknowledge his solo abilities, with The Beatles over legal issues, and with his own discomfort being the leader of a new band. But Paul just kept writing music, never afraid to try something different. Always grounded and inspired by Linda and their kids, Paul emerged triumphant, embarking on a world tour and producing hit after hit. 1980 brought not only John Lennon’s death, but also an arrest in Japan that left Paul reevaluating everything. The end of the most pivotal decade of his life ended the same way it began, with the dissolution of a band and the release of a groundbreaking solo album. Through stunning archival footage, Linda McCartney’s exceptional photographs, and interviews with Mick Jagger, Chrissie Hynde, Sean Ono Lennon, Mary and Stella McCartney, all the living Wings members, and of course Paul himself, the film examines this time through a uniquely vulnerable lens. This is a Paul McCartney you’ve never seen before.

Queen Kelly opens in the imaginary European country of Cobourg-Nassau, sometime before the first World War, where the vain and cruel Queen Regina V (Seena Owen) obsesses over her feckless fiancé (Walter Byron), Prince “Wild” Wolfram. When the dissolute prince encounters an innocent but flirtatious convent girl, Patricia Kelly (Gloria Swanson), he falls in love. Desperate to see her before his upcoming wedding to the Queen, he kidnaps Kelly and brings her to his rooms in the palace. When the Queen discovers the lovers, she whips the nightgowned girl and throws her out into the night. After an unsuccessful suicide attempt, Kelly returns to the convent, where she receives a telegram, summoning her to the bedside of her dying aunt (Florence Gibson) in Dar-es-Salaam, German East Africa. There, the innocent young girl is shocked to find herself in a seedy bordello. On her deathbed, Kelly’s aunt begs her niece to wed the syphilitic brothel owner, Jan (Tully Marshall).

Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star. Suddenly, the two sisters must navigate their complicated relationship with their father — and deal with an American star dropped right in the middle of their complex family dynamics.

Standout tells the inspiring story of Ben Kjar, born with Crouzon Syndrome, a rare craniofacial disorder. From birth, doctors warned that his life would be dominated by limitations, bullying and harsh scrutiny. Despite that prognosis, Ben yearned for an ordinary life free from judgment and harassment. However, each experience of adversity, including relentless bullying and a series of painful surgeries, ignited a fire within him. Wrestling became his proving ground, a place where he learned to transform his facial difference into a source of power. Determined to succeed, he pushed himself relentlessly, breaking through physical, social, and even romantic barriers that once seemed insurmountable. But as unexpected challenges arose and ridicule resurfaced, Ben found himself at a defining crossroads: fade into the background of a “normal” life, or fully embrace his difference and boldly stand out.

This fan-favorite cult classic follows the legendary band on what at the time was believed to be their final performances, a five-night run at San Francisco's Winterland Ballroom in October of 1974, the final night billed as “The Last One.” Featuring stellar live performances, mind-bending animation, interviews with band members and crew, the film has a rare focus on the band’s fans and their deep commitment to the Dead Head lifestyle.

Hailed as a critical triumph at the Cannes Film Festival, this film follows a man on the run during Brazil's 1970s military dictatorship, trying to escape a corrupt regime and mercenary killers to reunite with his son during Carnival. With awards for Best Director and Best Actor for star Wagner Moura, this intense and atmospheric escape story is a cinematic event. "This movie, visually and dramatically superb in every way, moves with unhurried confidence across the screen, pausing to savour every bizarre bit of comedy or erotic byway, or note of pathos, on its circuitous path to the violent finale." — The Guardian

A philosophical romance between mortality and immortality, this film follows Damiel, an angel in Berlin, who sees the world in black-and-white vs. the color that humans see. The angel can hear the inner dialogue of people, their deepest anxieties and simple joys, which leads him to yearn for the early life instead of the celestial existentialism. 1980’s Berlin plays a unique role in this movie, as does the soundtrack, featuring Nick Cave and the Bad Seeds. “The film evokes a mood of reverie, elegy and meditation. It doesn’t rush headlong into plot, but has the patience of its angels.” — Roger Ebert