A one-shot film that follows brothers on and off screen, Ari and Ethan, on the hunt for their dying poet father through the streets of San Francisco. Shot in one day, the script uses deep improvisation, relying heavily on the natural bond and sibling bickering of the siblings, blurring fiction and reality. (dir. Ari Gold, U.S., 2025, 91 min.)

This is the story of the Butthole Surfers, a band that defied every rule and redefined what rock could be. Emerging from Texas in the early 1980s, Gibby Haynes and Paul Leary forged an anarchic path across America’s underground, creating chaotic live shows filled with nudity, fake blood, and blistering psychedelic noise. Their name alone was a challenge to Reagan-era conformity, yet their influence rippled through alternative music, shaping acts like Nirvana and securing them a cult legacy. Featuring candid interviews, wild archival footage, trippy reenactments, and commentary from icons like Flea, Dave Grohl, and Richard Linklater, this long-anticipated documentary is as provocative, funny, and fearless as the band itself

After decades of being blown to bits by bombs, demolished by dynamite, mangled by magnets, battered by boulders, trampled by trains, tricked by tunnels, sprung by springs, steamrolled by steamrollers, maligned by misfires, bedeviled by bungees, rattled by rockets, backstabbed by bat suits, rocked by rocket skates, upended by unicycles, quaked by quake pills, rubberized by rogue bands, and hurled headlong off every cliff in the Southwest, Wile E. Coyote (Genius) finally fights back. Teaming up with billboard accident lawyer Kevin Avery (Will Forte), he takes on slick corporate counsel Buddy Crane (John Cena) and ACME, Inc., the profit-obsessed conglomerate behind every one of the Coyote’s chaotic catastrophes.

Join Joshua Jelly-Schapiro, the author of an acclaimed new book on the “King of Calypso,” for a multimedia talk on the gigantic life and legacy of an American icon who transformed our politics by evolving culture. Jelly-Schapiro’s talk will feature rare archival film and audio clips from Belafonte’s astonishing career, and be followed a book signing. “Daylight Come takes us to places no biography in recent memory has . . . This book fills the heart and mind, and is essential reading for our times.” —Hilton Als

A French drug dealer living in Tokyo is betrayed by his best friend and killed in a drug deal. His soul, observing the repercussions of his death, seeks resurrection.

In the remote South Korea village of Hope Harbor, police chief Bum-seok (Hwang Jung- min) and officer Sung-ae (Hoyeon) are called to find a mysterious creature that has wreaked havoc on the village. In the nearby forest, a coterie of hunters, including Sung- ki (Zo In-Sung) set out to track the beast and find themselves hunted instead. But all is not as it seems, and perceptions can be misleading. What begins as ignorance plants the seed of disaster, escalating through human conflict into a tragedy of cosmic proportions.

A true arthouse drama and psychological horror film set against the backdrop of post-communist Eastern Europe, a young American becomes obsessed with a club singer. Grimy, dangerous and dark. "A vision of an old life on the edge of hell." —Variety

Widely known for her tranquil poems about the natural world, and as a solitary recluse, poet Mary Oliver's life was anything but peaceful. Raised in abuse and turmoil, the stability she sought through her writings shifted her reality. And she changed others. With star-studded personal interviews with the likes of Oprah Winfrey, Stephen Colbert, John Waters, Lucy Dacus, and more, we see how the ripples of words can inspire generations. This close look at this national treasure, the award-winning and beloved writer, begs us to ask ourselves, "What is it you plan to do with your one wild and precious life?" (dir. Sasha Waters, US, 2026, 91 min.)

In an idyllic village in Burkina Faso, a woman decides to use an ancient tradition—the moolaadé, the right for the powerful to protect the weak—in a new way, sheltering young girls who are about to enter a dangerous ritual. Ousmane Sembene’s final work, a masterpiece of activist cinema, celebrates the heroism of everyday people and the potential for even the most entrenched customs to soften. (dir. Ousmane Sembene, Senegal-Burkina Faso, 2004, 124m).

A mysterious stranger with a harmonica joins forces with a notorious desperado to protect a beautiful widow from a ruthless assassin working for the railroad.

Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.

Mark Lewis, works as a focus puller in a British film studio. On his off hours, he supplies a local porno shop with cheesecake photos and also dabbles in filmmaking. A lonely, unfriendly, sexually repressed fellow, Mark is obsessed with the effects of fear and how they are registered on the face and behavior of the frightened. This obsession dates from the time when, as a child, he served as the subject of some cold-blooded experiments in terror conducted by his own scientist father. As a grown man, Mark becomes a compulsive murderer who kills women and records their contorted features and dying gasps on film. His ongoing project is a documentary on fear. With 16mm camera in hand, he accompanies a prostitute to her room and stabs her with a blade concealed in his tripod, all the while photographing her contorted face in the throes of terror and death. Alone in his room, he surrounds himself with the sights and sounds of terror: taped screams, black-and-white "home movies" of convulsed

Based on the Herman Melville novel of the same name as the protagonist, Pierre, the film surprised its audiences in a similar manner that Melville shocked his readers with the first book post Moby Dick. It follows a wealthy male author living with his mother, waiting to be married to his cousin, when a long-lost vagrant, claiming to be his half-sister, appears. (dir. Leos Carax, France/Switzerland/Germany/Japan, 1999, 134 min.) “[A film that] breaks free of the dismal bonds of formula to cartwheel into overwrought passionate excess.” —Roger Ebert

Follows Grammy winner Sara Bareilles as she records her first album in seven years with close friends and fellow musicians, creating compositions that emerged from profound personal loss and grief.

Larry Weinstein was inspired to film September Songs after he heard Lost in the Stars: The Music of Kurt Weill. The producer of Lost in the Stars, Hal Willner was engaged to supervise the recording. The backdrop of the performance consists of an abandoned warehouse in Toronto where musicians perform a series of songs by Kurt Weill. Between songs, parts of Weill's biography are narrated. The cast of consists of the Brodsky Quartet, William S. Burroughs, Betty Carter, Nick Cave and Spanish Fly, Elvis Costello, Kathy Dalton, Bob Dorough, Charlie Haden, PJ Harvey, David Johansen, Lou Reed, Mary Margaret O'Hara, The Persuasions, Stan Ridgway, Ralph Schuckett, Ellen Shipley, Teresa Stratas, the Brodsky Quartet, the Y Chamber Symphony. It also features the voices of Lotte Lenya, Bertolt Brecht, and Weill.

After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.

A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

Since 1967 when Les Braunstein and the Soft White Underbelly (early Blue Oyster Cult) recorded for Elektra records, Les has been exclusively a rock singer. Les now performs live against the rock tracks he has recorded of his own songs with the bands he has sung with over the past five decades. This special performance will also include stories drawn from his books, travelogues entitled, The Lucky Monkey Stories.

William Holden leads a band of aging robbers through the hard world of the Old West as they try to outrun the bounty hunter (the legendary Robert Ryan) who is hot on their trail. The balletic violence and weary fatalism that Peckinpah brings to his vision of the American West is underscored by some of sweatiest, dirtiest, bloodiest performances from some of the the toughest, ugliest actors of all time. Ernest Borgnine, Ben Johnson and Warren Oates shoot, screw, drink, and ride horses all while imbuing the film's harsh, empty world with a sense of real poetry. This is a film about the mantle of violence passing from old professionals, who live by a code, to even more chaotic and deadly future generations. And what is the code these old men live by? Stand by your friends and against the world, take what you can get, and don't kill civilians...unless they get in the way.

Two codependent best friends living paycheck to paycheck and bong rip to bong rip get caught in a case of mistaken identity that throws their lives into chaos.

TITANE: A metal highly resistant to heat and corrosion, with high tensile strength alloys, often used in medical prostheses due to its pronounced biocompatibility.

A 19-year-old Anthony Bourdain travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life.

Newlyweds Shane and June arrive in Paris for their honeymoon. In the process of trying to find a cure for his strange, bloodthirsty disease, Shane stumbles upon the story of a doctor and his flesh eating wife.

Join renowned mentalist Vinny DePonto on a journey down the rabbit hole of your own brain. Through artful demonstrations with real audience members – no plants or actors are used – in Mind Reader, DePonto exhibits awe-inspiring techniques to subvert your attention, influence your thoughts, and make you giddy about the strange and wonderful wiring of our own thoughts. Step right up to the carnival inside your head and let DePonto be your guide. (Written & Performed by Vinny DePonto; Directed by Zach Morris; Set Design by Dan Daly) Vinny DePonto is a theatre-maker and mentalist whose work combines psychological tricks, visual art, and immersive storytelling. His critically acclaimed show Mindplay has toured the US, including an Off-Broadway run in New York City. His work has been presented by Ars Nova, American Conservatory Theater, American Repertory Theater at Harvard, Arena Stage, Huntington Theatre, and the Geffen Playhouse, and has been nominated for a Drama Desk Award for Unique Theatrical Experience.

This documentary pulls apart the legendary 1972 Toronto’s highly-improvisational production of the musical Godspell that was a comedic launchpad for a generation of North American icons: Martin Short, Eugene Levy, Gilda Radner, Andrea Martin, Dave Thomas, Victor Garber, and Paul Shaffer. What began as an off-off-off-and more off Broadway show, planted the seed which would become the sensibility for generations of Saturday Night Live and everything the came from that. (dir. Nick Davis, US, 2025, 98 min.) “It’s about something bigger than Godspell — a pop movement that didn’t have a name yet, a cultural spirit that found its way into existence almost like (laughing) gas gathering in the air.” —Variety