Rfor strong bloody violence, gore, graphic nudity, language throughout, and brief drug use.
Expanding upon the world created by Danny Boyle and Alex Garland in 28 Years Later - but turning that world on its head - Nia DaCosta directs 28 Years Later: The Bone Temple. In a continuation of the epic story, Dr. Kelson (Ralph Fiennes) finds himself in a shocking new relationship - with consequences that could change the world as they know it - and Spike's (Alfie Williams) encounter with Jimmy Crystal (Jack O'Connell) becomes a nightmare he can't escape. In the world of The Bone Temple, the infected are no longer the greatest threat to survival - the inhumanity of the survivors can be stranger and more terrifying.
Rfor language throughout, some violence and sexual material/nudity.
Crime 101 finds three lives collide in a high-stakes game of cat and mouse. Set against the sun-bleached grit of Los Angeles, a master jewel thief eyes the score of a lifetime—his final job, if he plays it right. An insurance broker, disillusioned and desperate, is looking for a way out before the system grinds her down. And a relentless detective, haunted by unfinished business, is closing in. As their fates converge in the lead-up to a multimillion-dollar heist, the line between hunter and hunted blurs. One wrong move, and it won’t just be diamonds on the line—it’ll be their lives.
PG-13for intense war experience and some language
Miraculous evacuation of Allied soldiers from Belgium, Britain and France, who were cut off and surrounded by the German army from the beaches and harbor of Dunkirk, France, between May 27- June 04, 1940, during Battle of France in World War II.
PG-13for intense perilous sequences, some disturbing images and brief strong language
Dr. Ryan Stone, a brilliant medical engineer, is on her first Shuttle mission, with veteran astronaut Matt Kowalsky in command of his last flight before retiring. But on a seemingly routine spacewalk, disaster strikes. The Shuttle is destroyed, leaving Stone and Kowalsky completely alone-tethered to nothing but each other and spiraling out into the blackness of space. The deafening silence tells them they have lost any link to Earth and any chance for rescue. As fear turns to panic, every gulp of air eats away at what little oxygen is left. But the only way home may be to go further out into the terrifying expanse of space.
PG-13for some sex-related material
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
PGfor some language
After his wife Maggie passes away, Sam Baldwin and his 8-year-old son Jonah relocate from Chicago to Seattle to escape the grief associated with Maggie's death. Eighteen months later Sam is still grieving and can't sleep. Although Jonah misses his mother, he wants his father to get a new wife despite Sam having not even contemplated dating again. On Christmas Eve, Sam (on Jonah's initiative) ends up pouring his heart out on a national radio talk show about his magical and perfect marriage to Maggie, and how much he still misses her. Among the many women who hear Sam's story and fall in love with him solely because of it is Annie Reed, a Baltimore-based newspaper writer. Annie's infatuation with Sam's story and by association Sam himself is despite being already engaged. But Annie's relationship with her straight-laced fiance Walter is unlike her dream love life in the movie An Affair to Remember (1957)
PG
From Sony Pictures Animation, the studio behind Spider-Man TM: Across the Spider-Verse and the artists that made KPop Demon Hunters, comes GOAT, an original action-comedy set in an all-animal world. The story follows Will, a small goat with big dreams who gets a once-in-a-lifetime shot to join the pros and play roarball–a high-intensity, co-ed, full-contact sport dominated by the fastest, fiercest animals in the world. Will’s new teammates aren’t thrilled about having a little goat on their roster, but Will is determined to revolutionize the sport and prove once and for all that “smalls can ball!”
TBC
From Sony Pictures Animation, the studio behind Spider-Man TM: Across the Spider-Verse and the artists that made KPop Demon Hunters, comes GOAT, an original action-comedy set in an all-animal world. The story follows Will, a small goat with big dreams who gets a once-in-a-lifetime shot to join the pros and play roarball–a high-intensity, co-ed, full-contact sport dominated by the fastest, fiercest animals in the world. Will’s new teammates aren’t thrilled about having a little goat on their roster, but Will is determined to revolutionize the sport and prove once and for all that “smalls can ball!”
PG-13for thematic content, some strong sexuality, and partial nudity
From Academy Award® winning writer/director Chloé Zhao, HAMNET tells the powerful love story that inspired the creation of Shakespeare’s timeless masterpiece, Hamlet.
Rfor language, bloody images and some gore.
The stars are gone. The planets have disappeared. Only those on space stations or starships were left to give the end a name. The Quiet Rapture. The universe dims. Humanity decays. Barren moons are all that remain. The last remnants search for any trace of natural resources among them. With only ghost light of long-vanished stars to guide them. But one moon stands apart from the rest. And in the darkness of that moon. An ocean of blood.
Rfor language throughout, sexual content, some violent content/bloody images and nudity.
Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.
PG-13for violence, bloody images, some strong language, drug content and teen smoking.
In the near future, a detective (Chris Pratt) stands on trial accused of murdering his wife. He has 90 minutes to prove his innocence to the advanced A.I. Judge (Rebecca Ferguson) he once championed, before it determines his fate.
Patricia is an evidential Medium. She reads with great Accuracy Integrity, Humor and Love. She gives messages to audience members from your loved Ones in Spirit as she receives them. These messages help to bring us Peace, Closure and Comfort and let us know that even though we leave our physical body, our spirit, our essence, our soul live on. Death does not separate love. Love sees all, believes all and never ends. Patricia Griffin is a natural born medium who in 2014 came to a point where she could no longer deny her gifts and went professional. Patricia was born and raised in Waterbury, CT. Her CT shows include Comix Roadhouse @ Mohegan Sun as many other venues in the state spreading the message that love sees all, believes all and never ends. Communicating with loved ones brings peace, validation and closure to let us know they are still with us. Patricia has been featured on Anna and Raven , Plum foods podcast , WPLR, WPKN, WATR,She does private readings, group sessions, galleries, and fundraisers. Patricia is a strong proponent of education within her field. She teaches psychic development circles and mediumship courses for Milford Adult Education ,Shoreline Adult Education in Branford and Valley Regional Adult Education.
R
20th Century Studios’ Send Help, the upcoming darkly comedic psychological thriller from genre-bending visionary director Sam Raimi (Spider-Man, The Evil Dead). The all-original film stars Oscar® and Tony Award® nominated actress Rachel McAdams (Spotlight, Are You There God? It's Me, Margaret., Mean Girls), Dylan O’Brien (Twinless, Saturday Night), Edyll Ismail (La Brea), Dennis Haysbert (Far from Heaven), Xavier Samuel (Elvis), Chris Pang (Crazy Rich Asians), Thaneth Warakulnukroh (Thai Cave Rescue), and Emma Raimi (Happy Pills), and releases in theaters nationwide on January 30, 2026. Linda Liddle (Rachel McAdams) and Bradley Preston (Dylan O’Brien), two colleagues who find themselves stranded on a deserted island after they are the only survivors of a plane crash. On the island, they must overcome past grievances and work together to survive, but ultimately, it becomes an unsettling and darkly humorous battle of wills and wits to make it out alive. “I’ve always loved stories where interesting, dynamic characters are pushed to extremes,” says director Sam Raimi. “In our story, the power shifts create an escalating situation that’s brimming with unexpected turns and suspense.” Send Help is produced by Raimi and Zainab Azizi (65), executive produced by JJ Hook (The Amateur), and written by Damian Shannon & Mark Swift (Friday the 13th, Baywatch), with original music by Danny Elfman (The Nightmare Before Christmas, Batman).
PG-13 for thematic material, some strong language, some sexual material and brief drug use.
Based on a true story, two down-on-their-luck musicians (Hugh Jackman and Kate Hudson) form a joyous Neil Diamond tribute band, proving it's never too late to find love and follow your dreams.
TBC
The film features the live performance of Stray Kids' sold-out Sofi Stadium shows in late May, as well as behind the scenes footage that lets fans into the hidden world of one of the biggest and most popular K-Pop groups on the planet. For those that can't attend a Stray Kids stadium show, it will provide them a front-row seat.
Based on Truman Capote's novel, this is the story of a young woman in New York City who meets a young man when he moves into her apartment building. He is with an older woman who is very wealthy, but he wants to be a writer. She is working as an expensive escort and searching for a rich, older man to marry.
for sexual content and dialogue, violence and thematic elements
Roxie Hart is a small-time chorus dancer who will kill for fame. After doing just that, she lands behind bars alongside vaudeville star Velma Kelly, who, with the help of hotshot lawyer Billy Flynn, has spun her crime into a media frenzy. When Flynn takes Roxie's case, he makes her the latest tabloid sensation, setting the stage for a singing, dancing catfight between the all-too-willing rivals.
TBC
The Apocalypse of St. John invites viewers on an epic journey through the visions revealed to the Apostle John on Patmos. This cinematic experience brings the Book of Revelation to life through striking visuals, immersive sound, and powerful dramatizations that draw audiences deep into the apocalyptic narrative. Beyond its spectacle, the film offers clear and engaging explanations of each vision, illuminating their theological meaning through the lens of ancient Christian tradition. It presents Revelation not as distant symbolism, but as a living prophecy with profound relevance for our age. Blending drama, documentary insight, and faithful exegesis, the film guides viewers through the mysteries of the End Times and the great spiritual battle at the heart of the prophecy. Prepare to witness the true Apocalypse as never before.
Rfor strong/bloody violent content, sexual assault, sexual content, nudity and language.
THE HOUSEMAID is a wildly entertaining thriller starring Sydney Sweeney and Amanda Seyfried, based on the best-selling book. From director Paul Feig, the film plunges audiences into a twisted world where perfection is an illusion, and nothing is as it seems. Trying to escape her past, Millie (Sweeney) accepts a job as a live-in housemaid for the wealthy Nina (Seyfried) and Andrew Winchester (Brandon Sklenar). But what begins as a dream job quickly unravels into something far more dangerous — a sexy, seductive game of secrets, scandal, and power. Behind the Winchesters’ closed doors lies a world of shocking twists that will leave you guessing until the very end.
PG-13
In the first part of J.R.R. Tolkien’s epic masterpiece, The Lord of the Rings, a shy young hobbit named Frodo Baggins inherits a simple gold ring. He knows the ring has power, but not that he alone holds the secret to the survival--or enslavement--of the entire world. Now Frodo, accompanied by a wizard, an elf, a dwarf, two men and three loyal hobbit friends, must become the greatest hero the world has ever known to save the land and the people he loves.
NR
American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.
NR
ACT I Russia, 19th century. Autumn in the country. On the Larin estate. Madame Larina reflects upon the days before she married, when she was courted by her husband but loved another. She is now a widow with two daughters: Tatiana and Olga. While Tatiana spends her time reading novels, with whose heroines she closely identifies, Olga is being courted by their neighbor, the poet Lenski. He arrives unexpectedly, bringing with him a new visitor, Eugene Onegin, with whom Tatiana falls in love. Tatiana asks her nurse Filippyevna to tell her of her first love and marriage. Tatiana stays up all night writing a passionate letter to Onegin and persuades Filippyevna to have her grandson deliver it in the morning. Tatiana waits for Onegin’s response in the garden. He admits that he was touched by her declaration but explains that he cannot accept it and can only offer her friendship. He advises her to control her emotions, lest another man take advantage of her innocence. ACT II January. The local community has been invited to the Larin estate to celebrate Tatiana’s name day. Onegin has reluctantly agreed to accompany Lenski to what he mistakenly believes will be an intimate family celebration. Annoyed to find himself trapped at an enormous party and bored by the occasion, Onegin takes his revenge on Lenski by flirting and dancing with Olga. Lenski’s jealousy is aroused to such a height that he challenges Onegin to a duel. The party breaks up. Before the duel, Lenski meditates upon his poetry, upon his love for Olga, and upon death. Lenski’s second finds Onegin’s late arrival and his choice of a second insulting. Although both Lenski and Onegin are full of remorse, neither stops the duel. Lenski is killed. ACT III St. Petersburg. Having travelled abroad for several years since the duel, Onegin has returned to the capital. At a ball, Prince Gremin introduces his young wife. Onegin is astonished to recognize her as Tatiana and to realize that he is in love with her. Onegin has sent a letter to Tatiana. He arrives at the Gremin palace and begs her to run away with him. Tatiana admits that she still loves him, but that she has made her decision and will not leave her husband. Onegin is left desperate. —Reprinted courtesy of English National Opera
NR
ACT I Isolde, an Irish princess, is being taken to Cornwall aboard the ship of Tristan, whose uncle, King Marke, plans to marry her. She becomes enraged by a sailor’s song about an Irish girl, and her maid, Brangäne, tries to calm her. Isolde interrogates Tristan, but he replies evasively. His companion Kurwenal loudly ridicules the Irish women and sings a mocking verse about Morold, Isolde’s fiancé, who was killed by Tristan when he came to Cornwall to exact tribute for Ireland. Isolde, barely able to control her anger, tells Brangäne how the wounded Tristan came to her in disguise after his fight with Morold so that he could be healed by Isolde’s knowledge of herbs and magic, which she learned from her mother. Isolde explains to Brangäne that she recognized Tristan, but her determination to take revenge for Morold’s death dissolved when he pleadingly looked her in the eyes. She now bitterly regrets her reluctance to kill him and wishes death for him and herself. Brangäne reminds her that to marry a king is no dishonor and that Tristan is simply performing his duty. Isolde maintains that his behavior shows his lack of love for her, and asks Brangäne to prepare her mother’s death potion. Kurwenal tells the women to prepare to leave the ship, as shouts from the deck announce the sighting of land. Isolde insists that she will not accompany Tristan until he apologizes for his offenses. He appears and greets her with cool courtesy. When she tells him she wants satisfaction for Morold’s death, Tristan offers her his sword, but she will not kill him. Instead, Isolde suggests that she and Tristan make peace with a drink of friendship. He understands that she means to poison them both, but still drinks, and she does the same. Expecting death, they exchange a long look of love, then fall into each other’s arms. Brangäne admits that she has in fact mixed a love potion, as sailors’ voices announce the ship’s arrival in Cornwall. ACT II In the garden of Marke’s castle, Isolde waits impatiently for a rendezvous with Tristan, while distant horns signal the king’s departure on a hunting party. Isolde believes that the party is far off, but Brangäne warns her about spies, particularly Melot, a jealous knight whom she has noticed watching Tristan. Isolde replies that Melot is Tristan’s friend. She sends Brangäne off to stand watch and puts out the warning torch. When Tristan appears, she welcomes him passionately. They praise the darkness that shuts out the light of conventionality and false appearances and agree that they feel secure in the night’s embrace. Brangäne’s distant voice warns that it will be daylight soon, but the lovers are oblivious to any danger and compare the night to death, which will ultimately unite them. Kurwenal rushes in with a warning: the king and his followers have returned, led by Melot, who denounces the lovers. Moved and disturbed, Marke declares that it was Tristan himself who urged him to marry and choose the bride. He does not understand how someone so dear to him could dishonor him in such a way. Tristan cannot answer. He asks Isolde if she will follow him into the realm of death. When she accepts, Melot attacks Tristan, who falls wounded into Kurwenal’s arms. ACT III Back at his castle, the mortally ill Tristan is tended by Kurwenal. A shepherd inquires about his master, and Kurwenal explains that only Isolde, with her magic arts, could save him. The shepherd agrees to play a cheerful tune on his pipe as soon as he sees a ship approaching. Hallucinating, Tristan imagines the realm of night where he will return with Isolde. He thanks Kurwenal for his devotion, then envisions Isolde’s ship approaching, but the shepherd’s mournful tune signals that the sea is still empty. Tristan recalls the melody, which he heard as a child. It reminds him of the duel with Morold, and he wishes Isolde’s medicine had killed him then instead of making him suffer now. The shepherd’s tune finally turns cheerful. Tristan gets up from his sickbed in growing agitation and tears off his bandages, letting his wounds bleed. Isolde rushes in, and he falls, dying, in her arms. When the shepherd announces the arrival of another ship, Kurwenal assumes it carries Marke and Melot, and barricades the gate. Brangäne’s voice is heard from outside, trying to calm Kurwenal, but he will not listen and stabs Melot before he is killed himself by the king’s soldiers. Marke is overwhelmed with grief at the sight of the dead Tristan, while Brangäne explains to Isolde that the king has come to pardon the lovers. Isolde, transfigured, does not hear her, and with a vision of Tristan beckoning her to the world beyond, she sinks dying upon his body.
Rfor sexual content, some violent content and language.
A passionate and tumultuous love story set against the backdrop of the Yorkshire moors, exploring the intense and destructive relationship between Heathcliff and Catherine Earnshaw.
NR
"You Got Gold: A Celebration of John Prine" captures a star-studded tribute to the legendary songwriter, filmed in October 2022 at Nashville's Ryman Auditorium. The event brought together acclaimed artists, friends, and family to share behind-the-scenes stories and perform classic songs, honoring Prine's enduring legacy. Prine, widely celebrated as one of history's greatest songwriters, captivated millions of fans and earned the admiration of icons such as Bonnie Raitt, Brandi Carlile, Tyler Childers, Lucinda Williams, Dwight Yoakam, Jason Isbell, and Bob Weir, amongst many others, are featured in the film performing on the Ryman stage for this special celebration of his life and music.
PGfor action/violence and rude humor.
In Walt Disney Animation Studios’ “Zootopia 2,” detectives Judy Hopps (voiced by Ginnifer Goodwin) and Nick Wilde (voiced by Jason Bateman) find themselves on the twisting trail of a mysterious reptile who arrives in Zootopia and turns the animal metropolis upside down. To crack the case, Judy and Nick must go undercover to unexpected new parts of town, where their growing partnership is tested like never before.