A passionate and tumultuous love story set against the backdrop of the Yorkshire moors, exploring the intense and destructive relationship between Heathcliff and Catherine Earnshaw.

Crime 101 finds three lives collide in a high-stakes game of cat and mouse. Set against the sun-bleached grit of Los Angeles, a master jewel thief eyes the score of a lifetime—his final job, if he plays it right. An insurance broker, disillusioned and desperate, is looking for a way out before the system grinds her down. And a relentless detective, haunted by unfinished business, is closing in. As their fates converge in the lead-up to a multimillion-dollar heist, the line between hunter and hunted blurs. One wrong move, and it won’t just be diamonds on the line—it’ll be their lives.

OPEN CAPTION SHOWING: Crime 101 finds three lives collide in a high-stakes game of cat and mouse. Set against the sun-bleached grit of Los Angeles, a master jewel thief eyes the score of a lifetime—his final job, if he plays it right. An insurance broker, disillusioned and desperate, is looking for a way out before the system grinds her down. And a relentless detective, haunted by unfinished business, is closing in. As their fates converge in the lead-up to a multimillion-dollar heist, the line between hunter and hunted blurs. One wrong move, and it won’t just be diamonds on the line—it’ll be their lives.

EPiC features long-lost footage from Presely's legendary Las Vegas residency in the 1970s, woven together with rare 16mm footage from Elvis on Tour, and precious 8mm from the Graceland archive, plus recordings of Elvis telling "his side of the story" rediscovered during Luhrmann's research for his Best Picture Oscar-nominated 2022 film Elvis.

Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.

Depicting the real-life crime spree and love story of bank robbers Bonnie Parker (Dunaway) and Clyde Barrow (Beatty) in depression-era America. As young gangsters in love, who attack the wealthy establishment and live by their own rules, Bonnie and Clyde capture the attention of an entire country as they try to elude law enforcement.

Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, Thao Lor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.

Photographer Robert Kincaid (Clint Eastwood) wanders into the life of housewife Francesca Johnson (Meryl Streep) for four days in the 1960s.

A JOURNEY INTO THE HEART OF THE RENAISSANCE The most anticipated art film of the season The first 3D film tour through the wonders of Florence and the Uffizi Gallery, a new production of Sky in collaboration with Nexo Digital and Magnitudo. A film that will take viewers on a multidimensional and multi-sensory journey as never before.

The film highlights the two sides of Frida Kahlo’s spirit: on one side the revolutionary, pioneering artist of contemporary feminism and on the other, the human being, victim of her tortured body and a tormented relationship. With Asia Argento as narrator, the two faces of the artist will be revealed, by pursuing a common thread consisting of Frida’s own words: letters, diaries and private confessions. The film alternates interviews, with original documents, captivating reconstructions and Frida Kahlo’s own paintings, kept in some of the most amazing museums in Mexico.

From Sony Pictures Animation, the studio behind Spider-Man TM: Across the Spider-Verse and the artists that made KPop Demon Hunters, comes GOAT, an original action-comedy set in an all-animal world. The story follows Will, a small goat with big dreams who gets a once-in-a-lifetime shot to join the pros and play roarball–a high-intensity, co-ed, full-contact sport dominated by the fastest, fiercest animals in the world. Will’s new teammates aren’t thrilled about having a little goat on their roster, but Will is determined to revolutionize the sport and prove once and for all that “smalls can ball!”

What if you could talk to animals and understand what they’re saying? In Disney and Pixar’s all-new feature film “Hoppers,” scientists have discovered how to “hop” human consciousness into lifelike robotic animals, allowing people to communicate with animals as animals! The adventure introduces Mabel, an animal lover who seizes an opportunity to use the technology, uncovering mysteries within the animal world that are beyond anything she could have imagined.

After the breakout success of I Can Only Imagine, MercyMe’s Bart Millard is living the dream—sold-out arenas, a devoted fanbase, and a thriving career. But Bart’s world begins to shift under the weight of devastating challenges, including a life-changing diagnosis for his young son, Sam. As Bart struggles to hold his family together, his wife Shannon becomes the steady anchor—caring for Sam, supporting Bart, and holding on to hope when it feels far away. When Sam and newcomer Tim Timmons join the band for their biggest tour yet, Bart must navigate the demands of fatherhood and the pressures of fame, all while helping his son find the courage to sing his own song. Directed by Andrew Erwin and Brent McCorkle, written by Brent McCorkle, and starring John Michael Finley, Milo Ventimiglia, Sophie Skelton, Arielle Kebbel, Joshua Bassett, Sammy Dell, with Trace Adkins, and Dennis Quaid, I CAN ONLY IMAGINE 2 is a heartfelt story of faith, family, and finding hope through the storm.

Lotto and Berenson: Crossed Destinies follows the intertwined journeys of Lorenzo Lotto, a forgotten Renaissance master, and Bernard Berenson, the American Jewish art critic who resurrected his legacy. Through the eyes of actor Alessandro Sperduti, the film retraces Lotto's artistic path across Italy, uncovering the painter's personal and professional struggles. At the same time, it explores Berenson's fascination with Lotto’s ability to capture the human soul, creating a profound reflection on art, ambition, and the fear of being forgotten.

The debt contemporary culture has towards Munch is impressive, from Andy Wharhol to Ingmar Bergman, from Marina Abramovich to Jasper Johnes. If his painting has become a symbol and at the same time an omen of the tragedies of the twentieth century, his art has travelled new and experimental roads of extraordinary modernity. Today, however, it is his city, Oslo, which sets a turning point for the knowledge of Munch: the birth of a new museum, opening in June 2020. The documentary will start from there to shed light on a man and an artist with singular charm, a precursor and a master.

Painting the Soul of the 20th Century: Pellizza Da Volpedo tells the story of the tormented life of divisionist painter Giuseppe Pellizza (1868-1907), famous for his work 'The Fourth Estate', as well as for his ability to study the soul and human society. Exploring the places he lived in as well as his artistic sensitivity, with Bentivoglio as our guide and “narrative consciousness”, it reveals the artist’s emotions and his vision of reality through a sophisticated use of shots from different angles inspired by the colours in his paintings. Pellizza’s tragic end is part of the story and makes the emotional bond between the viewer and the artist’s work all the more profound.

Perugino: Eternal Renaissance is a journey to discover Perugino, one of the most revered artists of the 15th Century and to celebrate the 500th Anniversary of his death. Journey through Italy to discover his great masterpieces, from the frescoes of the Sistine Chapel to the two rooms entirely dedicated to him in the National Gallery of Umbria. Spectators will be led on a guided discovery of the artist’s harmonious work: a perfect balance between man and nature, realism and idealism, as seen in paintings such as “The Delivery of the Keys” in the Vatican’s Sistine Chapel, “Lamentation over the Dead Christ” in the Galleria Palatina in Florence, the “Pietà” and “Agony in the Garden” in the Uffizi Gallery.

Fifty years after his passing, we embark on a journey through his Paris, amidst sunshine and shadow, convictions, and contradictions, from a young, impoverished foreigner to a 20th-century icon. Above all, the creative energy of a revolutionary genius, and a national museum dedicated to him in the heart of the French capital. 6,000 masterpieces, 200,000 archival materials. The most extensive collection in existence for the painter who never concealed a thing about himself.

Science teacher Ryland Grace (Ryan Gosling) wakes up on a spaceship light years from home with no recollection of who he is or how he got there. As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction… but an unexpected friendship means he may not have to do it alone.

After a perfect outing with her boyfriend, Kenna (Maika Monroe; The Hand that Rocks the Cradle, Longlegs) makes an unbearable mistake that sends her to prison. Seven years later, Kenna returns to her hometown in Wyoming, hoping to rebuild her life and earn the chance to reunite with her young daughter, Diem, whom she has never known. When Diem’s custodial grandparents adamantly refuse Kenna’s attempts to see her daughter, Kenna discovers unexpected compassion, and then something truer and deeper, with former NFL player and local bar owner Ledger (Tyriq Withers; HIM, I Know What You Did Last Summer). As their secret romance develops, so do the dangers for both of them, leading Kenna toward heartbreak and, ultimately, the hope for a second chance.

When a new Ghostface killer emerges in the quiet town where Sidney Prescott (Neve Campbell) has built a new life, her darkest fears are realized as her daughter (Isabel May) becomes the next target. Determined to protect her family, Sidney must face the horrors of her past to put an end to the bloodshed once and for all.

The Papal Basilicas of Rome 3D is a unique film that combines history, spirituality, architecture and art. It takes its cue from the Extraordinary Jubilee proclaimed by Pope Francis, which will see the faithful from all over the world pour into Rome in their millions, to cross the threshold of the Papal Basilicas and obtain a plenary indulgence. The opening of the Holy Doors will be an historical moment, certain to draw the whole world’s attention to Rome’s Papal Basilicas and be the ideal opportunity to tell the story, in spectacular 3D, using a narrative language that will emotionally involve audiences.

Based on Truman Capote's novel, this is the story of a young woman in New York City who meets a young man when he moves into her apartment building. He is with an older woman who is very wealthy, but he wants to be a writer. She is working as an expensive escort and searching for a rich, older man to marry.

Photographer Robert Kincaid (Clint Eastwood) wanders into the life of housewife Francesca Johnson (Meryl Streep) for four days in the 1960s.

Two business rivals who despise each other in real life unwittingly fall in love over the internet.

A lonely Frankenstein (Bale) travels to 1930s Chicago to ask groundbreaking scientist Dr. Euphronious (five-time Oscar nominee Annette Bening) to create a companion for him. The two revive a murdered young woman and The Bride (Buckley) is born. What ensues is beyond what either of them imagined: Murder! Possession! A wild and radical cultural movement! And outlaw lovers in a wild and combustible romance!

American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.

ACT I Russia, 19th century. Autumn in the country. On the Larin estate. Madame Larina reflects upon the days before she married, when she was courted by her husband but loved another. She is now a widow with two daughters: Tatiana and Olga. While Tatiana spends her time reading novels, with whose heroines she closely identifies, Olga is being courted by their neighbor, the poet Lenski. He arrives unexpectedly, bringing with him a new visitor, Eugene Onegin, with whom Tatiana falls in love. Tatiana asks her nurse Filippyevna to tell her of her first love and marriage. Tatiana stays up all night writing a passionate letter to Onegin and persuades Filippyevna to have her grandson deliver it in the morning. Tatiana waits for Onegin’s response in the garden. He admits that he was touched by her declaration but explains that he cannot accept it and can only offer her friendship. He advises her to control her emotions, lest another man take advantage of her innocence. ACT II January. The local community has been invited to the Larin estate to celebrate Tatiana’s name day. Onegin has reluctantly agreed to accompany Lenski to what he mistakenly believes will be an intimate family celebration. Annoyed to find himself trapped at an enormous party and bored by the occasion, Onegin takes his revenge on Lenski by flirting and dancing with Olga. Lenski’s jealousy is aroused to such a height that he challenges Onegin to a duel. The party breaks up. Before the duel, Lenski meditates upon his poetry, upon his love for Olga, and upon death. Lenski’s second finds Onegin’s late arrival and his choice of a second insulting. Although both Lenski and Onegin are full of remorse, neither stops the duel. Lenski is killed. ACT III St. Petersburg. Having travelled abroad for several years since the duel, Onegin has returned to the capital. At a ball, Prince Gremin introduces his young wife. Onegin is astonished to recognize her as Tatiana and to realize that he is in love with her. Onegin has sent a letter to Tatiana. He arrives at the Gremin palace and begs her to run away with him. Tatiana admits that she still loves him, but that she has made her decision and will not leave her husband. Onegin is left desperate. —Reprinted courtesy of English National Opera

ACT I Isolde, an Irish princess, is being taken to Cornwall aboard the ship of Tristan, whose uncle, King Marke, plans to marry her. She becomes enraged by a sailor’s song about an Irish girl, and her maid, Brangäne, tries to calm her. Isolde interrogates Tristan, but he replies evasively. His companion Kurwenal loudly ridicules the Irish women and sings a mocking verse about Morold, Isolde’s fiancé, who was killed by Tristan when he came to Cornwall to exact tribute for Ireland. Isolde, barely able to control her anger, tells Brangäne how the wounded Tristan came to her in disguise after his fight with Morold so that he could be healed by Isolde’s knowledge of herbs and magic, which she learned from her mother. Isolde explains to Brangäne that she recognized Tristan, but her determination to take revenge for Morold’s death dissolved when he pleadingly looked her in the eyes. She now bitterly regrets her reluctance to kill him and wishes death for him and herself. Brangäne reminds her that to marry a king is no dishonor and that Tristan is simply performing his duty. Isolde maintains that his behavior shows his lack of love for her, and asks Brangäne to prepare her mother’s death potion. Kurwenal tells the women to prepare to leave the ship, as shouts from the deck announce the sighting of land. Isolde insists that she will not accompany Tristan until he apologizes for his offenses. He appears and greets her with cool courtesy. When she tells him she wants satisfaction for Morold’s death, Tristan offers her his sword, but she will not kill him. Instead, Isolde suggests that she and Tristan make peace with a drink of friendship. He understands that she means to poison them both, but still drinks, and she does the same. Expecting death, they exchange a long look of love, then fall into each other’s arms. Brangäne admits that she has in fact mixed a love potion, as sailors’ voices announce the ship’s arrival in Cornwall. ACT II In the garden of Marke’s castle, Isolde waits impatiently for a rendezvous with Tristan, while distant horns signal the king’s departure on a hunting party. Isolde believes that the party is far off, but Brangäne warns her about spies, particularly Melot, a jealous knight whom she has noticed watching Tristan. Isolde replies that Melot is Tristan’s friend. She sends Brangäne off to stand watch and puts out the warning torch. When Tristan appears, she welcomes him passionately. They praise the darkness that shuts out the light of conventionality and false appearances and agree that they feel secure in the night’s embrace. Brangäne’s distant voice warns that it will be daylight soon, but the lovers are oblivious to any danger and compare the night to death, which will ultimately unite them. Kurwenal rushes in with a warning: the king and his followers have returned, led by Melot, who denounces the lovers. Moved and disturbed, Marke declares that it was Tristan himself who urged him to marry and choose the bride. He does not understand how someone so dear to him could dishonor him in such a way. Tristan cannot answer. He asks Isolde if she will follow him into the realm of death. When she accepts, Melot attacks Tristan, who falls wounded into Kurwenal’s arms. ACT III Back at his castle, the mortally ill Tristan is tended by Kurwenal. A shepherd inquires about his master, and Kurwenal explains that only Isolde, with her magic arts, could save him. The shepherd agrees to play a cheerful tune on his pipe as soon as he sees a ship approaching. Hallucinating, Tristan imagines the realm of night where he will return with Isolde. He thanks Kurwenal for his devotion, then envisions Isolde’s ship approaching, but the shepherd’s mournful tune signals that the sea is still empty. Tristan recalls the melody, which he heard as a child. It reminds him of the duel with Morold, and he wishes Isolde’s medicine had killed him then instead of making him suffer now. The shepherd’s tune finally turns cheerful. Tristan gets up from his sickbed in growing agitation and tears off his bandages, letting his wounds bleed. Isolde rushes in, and he falls, dying, in her arms. When the shepherd announces the arrival of another ship, Kurwenal assumes it carries Marke and Melot, and barricades the gate. Brangäne’s voice is heard from outside, trying to calm Kurwenal, but he will not listen and stabs Melot before he is killed himself by the king’s soldiers. Marke is overwhelmed with grief at the sight of the dead Tristan, while Brangäne explains to Isolde that the king has come to pardon the lovers. Isolde, transfigured, does not hear her, and with a vision of Tristan beckoning her to the world beyond, she sinks dying upon his body.

Mr. Pearson’s days in front of the camera may be a thing of the past, but the actor inside of him is very much alive. Caroline and Miguel split days and nights with legendary Hollywood actor Robert Pearson, a brilliant and talented gentleman battling mental decline. Despite their differences in approach to caring for the cantankerous man, both have the same goal of keeping him safe and connected. Miguel’s caretaking method is pretty straightforward as he spends most of his time with Mr. Pearson meeting his basic needs of eating, sleeping, and grooming. Caroline, on the other hand, has become more than a nurse. A maternal confidante and playful companion, Caroline stops at nothing to keep Mr. Pearson from slipping away, even if that means casting herself opposite the leading man to perform a scene from one of his hit movies from long ago. And it’s working. Their make-believe games cause Mr. Pearson to feel alive again, but as the line between fantasy and reality blurs, his grip loosens and Caroline’s gets tighter. Now, with everyone’s livelihood on the line, Miguel and Caroline must work together to save Mr. Pearson’s luminous star from fading to black.

Water Lilies by Monet – the Magic of Water and Light tells the story of the origin of a massive work of art that broke with convention, of an artist resurrecting his life only thanks to painting. His human endeavor defied both space and conventions in his timeless masterpieces. In a war-torn country, the undisputed genius of French Art disrupted the art world and changes it forever. As the end of the First World War drew near it became clear to Monet that his work of art could not but be his final legacyto France: a symbol of peace, hope, and resistance, in a battered and bloody world. This is the tale of an obsession with light and water the painter could not escape from and how he transformed it into a kind of magic. A tale of the radical elements that revolutionized Modern Art: Monet’s clear intentwas to transfer onto canvas the “first, pure impression” of forms and objects as they appear to the eye that has never seen them before. And this documentary will show the Water Lilies by Claude Monet, as they have never been seen before. A unique, exclusive look at the masterpieces housed at the Orangerie Museum, the Marmottan Museum, the Orsay Museum and Giverny, forthe firsttime ever on the big screen for an unrepeatable experience. Inspired by the international bestseller Mad Enchantment: Claude Monet and the Painting of the Water Lilies (2016) written byRoss King, also featured in the film.