PGfor animated sequences of scary action, language, rude humor, thematic elements, some violence and brief tobacco imagery.
While celebrating their last night together, Jo and Raissa stumble upon a mysterious portal that transports them to the fantastical island of Nakali, packed with magical and mythological creatures they grew up hearing stories about from their Filipino families. Some of these figures will become friends, some foes. Joined by well-meaning-but- hapless weredog Raww (Dave Franco) and a small-but-mighty pack of pals, Jo and Raissa must face The Dreaded Manananggal (Tony winning icon Lea Salonga), the most feared creature on the island. When they discover that the memories of their entire friendship are the price for returning home, Jo and Raissa will race to find a way to leave the island before they forget each other forever.
Rfor sexual content and language.
Haru and Luis love competing in Tokyo’s ballroom dance scene, but after tragedy strikes, Haru withdraws into isolation. When friends coax her back to the studio, she develops an infatuation with the new instructor. She must face what comes next as sparks fly.
Inspired by the tales of J.M. Barrie, Dmitry Krymov's "Peter Pan. Syndrome" is about art and the artist – the creator who, even when trapped in a dead end, when despair tightens around the throat and the urge to abandon everything feels unbearable, still returns to creation. Overcoming pain, he, like Peter Pan, cannot grow up from his passion for art; he continues to make miracles because he knows no other way to live. You want to let him go, to say, "Rest!" – but he is so radiant, his miracles so beautiful, and his heart so full of love that the audience, weeping, cannot bring themselves to release him. Latvian National Theatre Production Presented in Latvian with Russian Subtitles
Rfor brief graphic nudity.
On an Orkney isle, siblings Isla and Sandy hunt birds and talk to mythical beings while fighting off outsiders. Their lives change when Daniel, an awkward official, arrives to relocate them.
NR
Sofia works as a location scout for a TV pilot filming in New York City. It’s her job to find the homes, businesses, and exteriors where the show will be filmed. Driving around the city's different neighborhoods, she enters the private spaces of strangers to photograph their cozy apartments and eclectic shops, stepping into the fabric of their lives while trying to satisfy the demands of her erratic employers. Over a day filled with these encounters, Sofia witnesses moments of curiosity, vulnerability, and quiet tension until her work takes a sudden, personal turn. Drawing from her own experience as a location scout, writer-director Paula González-Nasser captures the poetry and costs of being a young creative. Her celebrated directorial debut The Scout crafts a contemplative exploration of urban disconnection, following one woman's journey through other people's worlds as she struggles to find her own.
If you were invited to sit at a table with someone you’ve never met before and answer handwritten questions from a wooden box about the state of America, would you run the other way? The Work in Progress invites strangers from across generations and geographies to engage in candid discussions about America’s ever-evolving democracy, identity, and definitions of community — and where the heck we go from here. Guided by questions posed by Executive Producer Robert Reich, participants sit down in a series of conversations with one another to explore the country they’re living in now and the one they still believe is possible. These encounters are intercut with portraits of Americans at work — in woodshops, laboratories, fields, board rooms, recording studios, theaters, and beyond. The message is simple but profound: America can work because, in many ways, it’s already working. And a central part of the work ahead is to reclaim the practices of dialogue, debate, compromise, and perhaps most importantly, listening, so that we might find our footing again. What emerges in The Work in Progress is an unusual and provocative glimpse of America in its 250th year, and an invitation to all Americans to pull up a chair, invite a stranger, and lend an ear.