American Captain Benjamin Willard (Martin Sheen) is assigned to track down and kill Colonel Kurtz (Marlon Brando), who has reportedly massacred hundreds of innocent people and set up his own fiefdom in the jungle. Willard and his crew encounter strange sights and people on their surreal journey into the heart of darkness. Winner—Palme d'Or at Cannes 1980 Academy Awards Winner—Best Cinematography, Sound Version: Final Cut — Coppola's preferred version of the film—a 2019 4K restoration from the original negative, with newly remastered sound.

In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child’s birth may help scientists save the future of humankind. Alfonso Cuarón's kinetic vision of fascist apocalypse sees Clive Owen as a weary and disconnected everyman regaining a previously lost sense of resistance, bolstered by Emmanuel Lubezki's era-defining long-take cinematography. Winner—Best Cinematography and Laterna Magica Prize at Venice 2007 Academy Awards Nominee—Best Adapted Screenplay, Cinematography, Film Editing

In the near future, a team of journalists travel across the United States during a rapidly escalating civil war that has engulfed the entire nation. "A furiously convincing and disturbing thing...It's not like anything Garland has made. It's not like anything anyone has made."—Matt Zoller Seitz, RogerEbert.com "What’s being incinerated in Civil War is the American idea itself...It doesn’t want to make us feel so much as it wants us to ask why we don’t feel anything."—Bilge Ebiri, NYMag "Rarely have I seen a movie that made me so acutely uncomfortable or watched an actor’s face that, like Dunst’s, expressed a nation’s soul-sickness so vividly that it felt like an X-ray."—Manohla Dargis, NYTimes Critic's Pick Open captioned screenings: Saturday 5/25 at 3:45pm, Wednesday 5/29 at 6:30pm.

A slapstick epic about a frostbitten battle between Jean Kayak and Diabolical Beavers—hundreds of them—who stand between him and survival. In this 19th century, supernatural winter epic, a drunken applejack salesman must go from zero to hero and become North America's greatest fur trapper by defeating hundreds of beavers. "Inspired absurdity...this ingeniously home-made lark never runs out of steam."—Variety "One of the best comedies in the last few years..By recognizing and reclaiming the methods used during the early days of movies, Mike Cheslik’s outrageous escalation of the classic hunter-hunted dynamic becomes a miraculous DIY celebration of enduring, universal truths about how we make each other laugh."—Paste Magazine

To test its top-secret Human Hibernation Project, the Pentagon picks the most average Americans it can find - an Army private and a sex worker - and sends them to the year 2505 after a series of freak events. But when they arrive, they find a civilization so dumbed-down that they’re the smartest people alive. Mike Judge's prescient and irreverent comedy found the studio hesitant to market and give a wide-release, perhaps afraid of offending corporate advertisers skewered in the universe of the film. It has since found a cult audience and stands as a potently absurd social satire.

Everyone has their own Chimera, something they try to achieve but never manage to find. For the band of tombaroli, thieves of ancient grave goods and archaeological wonders, the Chimera means redemption from work and the dream of easy wealth. For Arthur, the Chimera looks like the woman he lost, Beniamina. To find her, Arthur challenges the invisible, searches everywhere, goes inside the earth – in search of the door to the afterlife of which myths speak. In an adventurous journey between the living and the dead, between forests and cities, between celebrations and solitudes, the intertwined destinies of these characters unfold, all in search of the Chimera. Winner—Best Cinematography and Ensemble Cast Performance at Chicago "La Chimera sneaks up on you. Rohrwacher is a discreet virtuoso with a visual style that is appealing and demonstrably unshowy."—Manohla Dargis, NYTimes Critic's Pick "Rohrwacher is a singular artist, but La Chimera is still rich with allusions and evocations. At times, it feels as though it has emerged — dusty, tattered, and beautiful — from the storied earth of Italy itself."—Bilge Ebiri, NYMag In Italian with English subtitles.

Johnny Carson rival Jack Delroy hosts a syndicated talk show ‘Night Owls’ that has long been a trusted companion to insomniacs around the country. However, ratings for the show have plummeted since the tragic death of Jack’s beloved wife. Desperate to turn his fortunes around, on October 31st, 1977, Jack plans a Halloween special like no other- unaware he is about to unleash evil into the living rooms of America. Winner—Best Screenplay at Sitges "Dastmalchian goes even deeper and darker...[it's] a remarkable performance that will go down as one of the best in the entire horror genre."—A.V. Club "A nasty and delicious, unapologetic pastiche with a flair for menace. I had a blast."—NYTimes

Set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink of social, economic and environmental disaster. Boxer Santaros is an action star who’s stricken with amnesia. His life intertwines with Krysta Now, an adult film star developing her own reality television project, and Ronald Taverner, a Hermosa Beach police officer who holds the key to a vast conspiracy. Experimental to its core, Richard Kelly's followup to Donnie Darko plays like a deranged hallucination of post 9/11 American tragedy. Famously booed widely in competition at Cannes and then domestically in a runtime-reduced cut, Southland Tales has proven tenacious as a cult property over time, eerily prescient of contemporary American surreality. Presented here in the original extended Cannes cut.

Terry Goon (John Early) is keeping strict quarantine in his ex-husband’s Brooklyn brownstone while caring for his nephew Bahlul, a 19-year-old model from Morocco, bedridden after an electric scooter accident. Unfortunately for Terry, everyone in his life wants to meet the model. The whole pack of them — including his reckless and outspoken best friend Karla (played by director/writer Theda Hammel) — descend on the dilapidated house, crowding the model, breaking Terry’s cherished rules, and putting his barely formed political convictions to the test. "John Early is brilliant...[in] a movie that sees a hapless set of self-obsessed millennials who came of age out of liberal arts colleges and the internet for who they really are."—IndieWire Critic's Pick "Crackles with nervy life, reveling in the self-absorbed toxicity of the characters...Stress Positions is a sharp and funny analysis of modern discontent and the pandemonium that it breeds"—Slant Magazine

This revolutionary DIY parody film and hilarious reimagining of the classic autobiographical coming-of-age story follows an unconfident, closeted trans girl as she moves to Gotham City to make it big as a comedian by joining the cast of UCB Live - a government-sanctioned late night sketch show in a world where comedy has been outlawed. As mainstream success eludes our heroine, leading her to unite with a ragtag team of rejects, misfits, and a certain love interest named Mister J, "Joker the Harlequin" is born again as a confident (and psychotic) joker on a collision course with the city's fascist caped crusader. Vats of feminizing chemicals, sexy cartoon interludes, scarecrow psychiatrists, CGI Lorne Michaels, and psychedelic gender dysphoria all play supporting roles. Helmed by writer/director/editor/star Vera Drew and using her own life experiences as a basis for the film, THE PEOPLE'S JOKER is a deeply personal journey that's as much documentary as it is parody. "A freestanding, freewheeling work that relies on familiar characters to tell a story closer in substance and tone to the sexual fury, social outrage, wild humor, and outlaw freedom of John Waters’s films"—Richard Brody, The New Yorker "Feels like getting away with something...It’s a film about outsiders, made by outsiders, that feels like outsider art, which is maybe the most exciting thing about it."—RogerEbert.com