Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom. 1977 Academy Awards Nominee—Best Actress, Supporting Actress

A single mother gives her son a much sought-after doll for his birthday, only to discover that it is possessed by the soul of a serial killer.

Is becoming a woman analogous, in some deep psychological way, to becoming a werewolf? Ginger is 16, edgy, tough, and, with her younger sister, into staging and photographing scenes of death. They've made a pact about dying together. In early October, on the night she has her first period, which is also the night of a full moon, a werewolf bites Ginger. Within a few days, some serious changes happen to her body and her temperament. Her sister Brigitte, 15, tries to find a cure with the help of Sam, a local doper. As Brigitte races against the clock, Halloween and another full moon approach, Ginger gets scarier, and it isn't just local dogs that begin to die.

Our canine hero, Indy, finds himself on a new adventure with his human owner—and best friend—Todd, leaving city life for a long-vacant family home in the country. From the start, two things are abundantly clear: Indy is wary of the creepy old house, and his affection for Todd is unwavering. After moving in, Indy is immediately vexed by empty corners, tracks an invisible presence only he can see, perceives phantasmagoric warnings from a long-dead dog, and is haunted by visions of the previous occupant’s grim death. When Todd begins succumbing to the dark forces swirling around the house, Indy must battle a malevolence intent on dragging his beloved Todd into the afterlife.

In a near-future Tokyo where the threat of a catastrophic earthquake pervades daily life, two rabble-rousing best friends are about to graduate high school. One night, they pull a consequential prank on their Principal, which leads to a surveillance system being installed in their school. Stuck between the oppressive security system and a darkening national political situation, the two respond in contrasting ways, leading them to confront differences they never had to face before. In Japanese w/English subtitles

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye. In Japanese w/English subtitles

When a demon takes possession of her, high-school hottie Jennifer (Megan Fox) turns a hungry eye on guys who never stood a chance with her before. While evil Jennifer satisfies her appetite for human flesh with the school's male population, her nerdy friend, Needy (Amanda Seyfried), learns what's happening and vows to put an end to the carnage. "An unholy mess; I mean that as a compliment...likely to win a devoted cult following."—A.O. Scott, NYTimes

A cultural sensation from its inception in the early 2000s, Dateline NBC’s candid-camera investigative series To Catch a Predator ensnared sex offenders and lured them to a film set, where they would be interviewed and arrested while cameras rolled. The show was a hit and transformed its host Chris Hansen into a moral crusader and TV star, while spawning a worldwide industry of imitators and vigilantes. But why did we watch so voraciously — and why do we continue to devour its web-based, clickbait-driven offshoots? Looking back on the show and the countless franchises it spawned, filmmaker David Osit turns his camera on journalists, actors, law enforcers, academics, and ultimately himself, to trace America’s obsession with watching people at their lowest. Predators is a chilling, edge of your seat film that delves into the murk of human nature to observe hunter, predator, subject and spectator alike, all ensnared in a complicated web of entertainment as far as the eye can see. "Probing, troubling."—NYTimes Critic's Pick "Brilliant. Measured, nuanced and finally gut-punching."—Variety "Stunning. Much more than another attempt to interrogate our international obsession with true crime culture. It’s also an act of courage, confronting an increasingly vigilante-driven mindset that never pauses to understand that which is correctly considered vile, choosing instead to turn it into entertainment."—RogerEbert.com

After transferring to a Los Angeles high school, Sarah (Robin Tunney) finds that her telekinetic gift appeals to a group of three wannabe witches, who happen to be seeking a fourth member for their rituals. Bonnie (Neve Campbell), Rochelle (Rachel True) and Nancy (Fairuza Balk), like Sarah herself, all have troubled backgrounds, which combined with their nascent powers lead to dangerous consequences. When a minor spell causes a fellow student to lose her hair, the girls grow power-mad.

One of the most striking horror movies ever made, this tale of an exorcism is based loosely on actual events. When young Regan (Linda Blair) starts acting odd -- levitating, speaking in tongues -- her worried mother (Ellen Burstyn) seeks medical help, only to hit a dead end. A local priest (Jason Miller), however, thinks the girl may be seized by the devil. The priest makes a request to perform an exorcism, and the church sends in an expert (Max von Sydow) to help with the difficult job. 1974 Academy Awards Winner — Best Adapted Screenplay, Best Sound 1974 Academy Awards Nominee — Best Picture, Leading Actress, Supporting Actor, Supporting Actress, Director, Cinematography, Art Direction, Film Editing

Robert Thorn, an American diplomat living in Rome, learns that his infant son died moments after birth. Rather than tell his wife Katherine the truth, which he fears would shatter her emotionally, Robert secretly arranges the adoption of another baby through the Catholic church. Years pass and the Thorn's child, Damien, has a happy, normal childhood. Robert is named Ambassador to the Court of Saint James, and the family relocates to a lavish estate in the English countryside. But their seemingly idyllic life begins to change when, during Damien's fifth birthday, the boy's nanny suddenly commits suicide. Shortly thereafter, Robert is approached by Father Brennan, who claims he was present at the hospital when Damien's adoption took place. He is convinced that the boy is the son of the Devil, and that only a man named Bugenhagen, who lives in Israel, has the power to kill him. Robert initially believes the priest to be mad, but his faith begins to waiver as everyone around Damien is subjected to a series of freak, horrific incidents. 1977 Academy Awards Winner—Best Original Score