Ever seen Airport? No sweat! Now you can see all four in a neat little package. Edited together by Academy Award nominated screenwriter Josh Olson (A History of Violence, Infested) and veteran genre fellow screenwriter Adam Rifkin (Small Soldiers, Mouse Hunt), Airports is an exercise in narrative truncation for both newcomers and fans alike in the vein of Soderbergh's Psychos. Admission by non perishable donation, all proceeds go to The Upper Room Food Bank!
NR
A teenager in suburban Florida desperately hustles to make $5,000 in this dreamy and surreal animated coming-of-age story.
PG-13for sex related dialogue and some teen use of alcohol and drugs
Shallow, rich and socially successful Cher (Alicia Silverstone) is at the top of her Beverly Hills high school's pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai (Brittany Murphy) a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother (Paul Rudd) was right about how misguided she was -- and falls for him.
NR
IT’S NEVER OVER: JEFF BUCKLEY, directed by Oscar-nominated filmmaker Amy Berg (DELIVER US FROM EVIL, JANIS: LITTLE GIRL BLUE, WEST OF MEMPHIS), covers the life of the rising young star with an otherworldly voice and boundary-pushing artistry, who left the '90s music world reeling when he died suddenly, at age 30, after the release of his critically acclaimed debut album “Grace.” Told through never-before-seen footage from Buckley’s archives and intimate accounts from his mother Mary Guibert, former partners Rebecca Moore and Joan Wasser, Jeff’s former bandmates, including Michael Tighe and Parker Kindred, and luminaries like Ben Harper and Aimee Mann, IT’S NEVER OVER, JEFF BUCKLEY illuminates one of modern music’s most influential and enigmatic figures.
Rfor language throughout and some sexual content
A screw-turning psychological thriller made for the moment, LURKER is the razor-sharp directorial debut from The Bear and Beef writer-producer Alex Russell. When twenty-something Los Angeles retail clerk and loner Matthew (Théodore Pellerin) encounters rising pop star Oliver (Saltburn’s Archie Madekwe), he takes the opportunity to edge his way into the in-crowd. But staying there isn’t easy. With an entire entourage (Bottoms’ Havana Rose Liu, Abbott Elementary’s Zack Fox, Y2K’s Daniel Zolghadri, mid90s’ Sunny Suljic) vying for attention, Matthew must prove himself to Oliver as more than just a follower. As their bond grows strained and mainstream fame appears within reach, access and proximity become a matter of life and death. Online fixation meets reality in this parasocial, paranoid cat-and-mouse film driven by star-making performances. With an incisive view to contemporary culture and a brilliant score from Kenny Beats (known for his work with Vince Staples), LURKER presents an exhilarating take on the music industry, the blurred line between friend and fan, and our universal search for validation.
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Rfor language.
A broker of lucrative payoffs between corrupt corporations and the individuals who threaten them breaks his own rules when a new client seeks his protection to stay alive.
PRESENTED BY ROVING PICTURE SHOW WITH LIVE SCORE BY ISLAND JAZZ Amid big-budget medieval pageantry, King Richard goes on the Crusades leaving his brother Prince John as regent, who promptly emerges as a cruel, grasping, treacherous tyrant. Apprised of England’s peril by message from his lady-love Marian, the dashing Earl of Huntingdon endangers his life and honor by returning to oppose John, but finds himself and his friends outlawed, with Marian apparently dead. Enter Robin Hood, acrobatic champion of the oppressed, laboring to set things right through swashbuckling feats and cliffhanging perils!
NR
Gemma moves to LA, hoping to become an actress. She takes an overnight gig at a sleep clinic that promises to make their clients’ dreams come true. But the longer she spends there, the more it becomes clear that something sinister is going on.
Rfor strong violence and gore, language throughout, sexual references and brief graphic nudity.
A horrible toxic accident transforms downtrodden janitor, Winston Gooze, into a new evolution of hero: The Toxic Avenger. Now, Toxie must rise from outcast to savior, taking on ruthless corporate overlords and corrupt forces who threaten his son, his friends, and his community. In a world where greed runs rampant… justice is best served radioactive.