After being forgotten in a highway cafe during a bus trip, a housewife decides to start a new life by herself in Venice. This is a special engagement presented by the Delaware Italian-American Education Association and open to the public. Professor Giorgio Melloni of The University of Delaware will offer introductory remarks.

An anxious law school dropout (Matthew Shear) stumbles into a job babysitting his psychiatrist's three granddaughters and falls for the girls' mother (Amanda Peet), an actress in a rocky marriage. A smart, New York-set romantic comedy co-starring Alessandro Nivola, Judd Hirsch, Bob Balaban, Andrea Martin, Zosia Mamet, and Holland Taylor. Winner of the SXSW Narrative Feature Audience Award.

In the mist-covered highlands of Angola, deep within its forests, a mystery endures: the elusive ghost elephants of Lisima, the potential living descendants of the largest land mammal ever recorded. Steve Boyes, conservation biologist and leader of the National Geographic Okavango Wilderness Project, is determined to prove their existence. In order to find these elusive elephants, Boyes and fellow National Geographic Explorer Kerllen Costa have teamed up with three KhoiSan master trackers: Xui, Xui Dawid, and Kobus. Refugees from a war-torn past who have faced considerable marginalization in southern Africa, the trackers return to their ancestral lands to succeed where advanced technology could not. Directed, narrated and written by legendary filmmaker Werner Herzog, GHOST ELEPHANTS is a lyrical tale of survival, reconnection and the enduring power of ancient knowledge in the face of modern loss.

Palestine, 1936. The uprising that took on an Empire. As villages across Mandatory Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. But history is relentless. With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting in the largest and longest uprising against Britain's 30-year dominion, all sides spiral towards inevitable collision in a decisive moment for the British Empire and the future of the entire region.

Meursault (Benjamin Voisin) works as a clerk at an office in Algiers during the French colonial occupation. A modest man who keeps to himself, Meursault finds his routine upended by the sudden death of his mother. At her funeral, he faces scrutiny from all corners for his failure to perform his grief. Meursault’s reputation for otherworldly detachment carries over to all aspects of his life, from his tentative romance with Marie (Rebecca Marder) to his indifference to professional advancement. As Meursault gets swept up in a cycle of escalating reprisals among his neighbors, tensions come to a head when he murders an Arab man on the beach. A Frenchman may offer many defenses for shooting an Arab in Algeria, but Meursault’s refusal of excuse or remorse shakes colonial society to its core. Photographed in sterling, sensuous black-and-white, François Ozon’s new take on Albert Camus’s classic novel of existentialist ennui is a landmark of adaptation, simultaneously faithful to the text and dedicated to discovering fresh perspectives in the margins.