Plaza Theatre

Depicting the real-life crime spree and love story of bank robbers Bonnie Parker (Dunaway) and Clyde Barrow (Beatty) in depression-era America. As young gangsters in love, who attack the wealthy establishment and live by their own rules, Bonnie and Clyde capture the attention of an entire country as they try to elude law enforcement.

An Iowa corn farmer, hearing voices, interprets them as a command to build a baseball diamond in his fields; he does, and the 1919 Chicago White Sox come.

During a preview tour, a theme park suffers a major power breakdown that allows its cloned dinosaur exhibits to run amok.

In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.

J. Edgar Hoover hated Martin Luther King. He was convinced the civil rights movement was infiltrated by communists. He also disapproved of King's private life, calling him "a tom-cat with obsessive degenerate sexual urges." Perhaps most of all, he feared King as a radical, a subversive bent on challenging the cherished system of segregation and the status quo. To ruin King he used every means at his disposal. William Sullivan, Hoover's right-hand man and head of the notorious COINTELPRO division of the FBI, once said in their pursuit of King, "no holds were barred." Bugs were planted in King's hotel rooms, his phones tapped, informants paid. The Bureau enlisted journalists to write hostile stories about King, never alerted him to threats on his life, and when King received the Nobel Peace Prize in 1964, the FBI threatened to blackmail him unless he committed suicide. Utilizing a trove of documents obtained through the Freedom of Information Act and unsealed by the National Archives, MLK/FBI tells this astonishing and tragic story for the first time. The film contrasts Hoover and King, two powerful, iconic figures who, despite all of their differences, saw themselves in the same way, as a protector of liberty--a guardian of the American dream. Yet their view of that dream could not have been more opposed, and to examine their strange and tortured relationship is to ask questions as central to our time as it was to theirs. What is "free," what is "American"? What do we mean when we use those words, and who controls the definitions?

On another planet in the distant past, a Gelfling embarks on a quest to find the missing shard of a magical crystal, and so restore order to his world.