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Show Times

Monday 26, September

Don’t Worry Darling

Don’t Worry Darling

Rfor sexuality, violent content and language.

Monday 26, September

See How They Run

See How They Run

PG-13for some violence/bloody images and a sexual reference.

Monday 26, September

Tuesday 27, September

Don’t Worry Darling

Don’t Worry Darling

Rfor sexuality, violent content and language.

Tuesday 27, September

See How They Run

See How They Run

PG-13for some violence/bloody images and a sexual reference.

Tuesday 27, September

Wednesday 28, September

Don’t Worry Darling

Don’t Worry Darling

Rfor sexuality, violent content and language.

Wednesday 28, September

See How They Run

See How They Run

PG-13for some violence/bloody images and a sexual reference.

Wednesday 28, September

Thursday 29, September

Don’t Worry Darling

Don’t Worry Darling

Rfor sexuality, violent content and language.

Thursday 29, September

See How They Run

See How They Run

PG-13for some violence/bloody images and a sexual reference.

Thursday 29, September

Saturday 1, October

Jazz Tributaries Project

Jazz Tributaries Project

Saturday 1, October

Sunday 2, October

Moneyball

Moneyball

PG-13for some strong language

Sunday 2, October

Monday 3, October

NT Live 2022: Straight Line Crazy

NT Live 2022: Straight Line Crazy

NR

Monday 3, October

Saturday 22, October

The Met 2022–23: Medea

The Met 2022–23: Medea

Appropriate for all audiences

Saturday 22, October

Monday 24, October

NT Live: Prima Facie

NT Live: Prima Facie

NRThis content is not recommended for anyone under the age of 17 due to adult themes and could include very strong language, intense violence, nudity, graphic sex scenes/dialogue and drug use.

Monday 24, October

Saturday 5, November

The Met 2022–23: La Traviata

The Met 2022–23: La Traviata

Appropriate for all audiences

Saturday 5, November

Monday 14, November

NT Live: Jack Absolute Flies Again

NT Live: Jack Absolute Flies Again

NR

Monday 14, November

Saturday 10, December

The Met 2022–23: The Hours

The Met 2022–23: The Hours

Appropriate for all audiences

Saturday 10, December

Saturday 14, January

The Met 2022–23: Fedora

The Met 2022–23: Fedora

Appropriate for all audiences

Saturday 14, January

Monday 16, January

NT Live 2022: Much Ado About Nothing

NT Live 2022: Much Ado About Nothing

PG-13

Monday 16, January

Monday 13, March

NT Live 2022: The Seagull

NT Live 2022: The Seagull

NR

Monday 13, March

Saturday 18, March

The Met 2022–23: Lohengrin

The Met 2022–23: Lohengrin

Appropriate for all audiences

Saturday 18, March

Saturday 1, April

The Met 2022–23: Falstaff

The Met 2022–23: Falstaff

TBC

Saturday 1, April

Saturday 15, April

The Met 2022–23: Der Rosenkavalier

The Met 2022–23: Der Rosenkavalier

Appropriate for all audiences

Saturday 15, April

Monday 17, April

NT Live 2023: The Crucible

NT Live 2023: The Crucible

NR

Monday 17, April

Saturday 29, April

The Met 2022–23: Champion

The Met 2022–23: Champion

Appropriate for all audiences

Saturday 29, April

Saturday 20, May

The Met 2022–23: Don Giovanni

The Met 2022–23: Don Giovanni

Appropriate for all audiences

Saturday 20, May

Monday 22, May

NT Live 2023: Othello

NT Live 2023: Othello

NR

Monday 22, May

Saturday 10, June

The Met 2022–23: Die Zauberflöte

The Met 2022–23: Die Zauberflöte

Appropriate for all audiences

Saturday 10, June

Don’t Worry Darling

Don’t Worry Darling

Rfor sexuality, violent content and language.

From New Line Cinema comes “Don’t Worry Darling,” directed by Olivia Wilde (“Booksmart”) and starring Florence Pugh (Oscar-nominated for “Little Women”), Harry Styles (“Dunkirk”), Wilde (upcoming “Babylon”), Gemma Chan (“Crazy Rich Asians”), KiKi Layne (“The Old Guard”) and Chris Pine (“All the Old Knives”). Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia. While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Chan)—get to spend their time enjoying the beauty, luxury and debauchery of their community. Life is perfect, with every resident’s needs met by the company. All they ask in return is discretion and unquestioning commitment to the Victory cause. But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why. Just how much is Alice willing to lose to expose what’s really going on in this paradise? An audacious, twisted and visually stunning psychological thriller, “Don’t Worry Darling” is a powerhouse feature from director Olivia Wilde that boasts intoxicating performances from Florence Pugh and Harry Styles, surrounded by the impressive and pitch-perfect cast. The film also stars Nick Kroll (“How It Ends”), Sydney Chandler (“Pistol”), Kate Berlant (“Once Upon a Time… In Hollywood”), Asif Ali (“WandaVision”), Douglas Smith (“Big Little Lies”), Timothy Simons (“Veep”) and Ari’el Stachel (upcoming “Respect the Jux”).

Monday 26, September

Tuesday 27, September

Wednesday 28, September

Thursday 29, September

Show Future Dates
Jazz Tributaries Project

Jazz Tributaries Project

Buzz Jones and Axiom Assunder Jazz event

Saturday 1, October

Moneyball

Moneyball

PG-13for some strong language

Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.

Sunday 2, October

NT Live 2022: Much Ado About Nothing

NT Live 2022: Much Ado About Nothing

PG-13

Katherine Parkinson (The IT Crowd) and John Heffernan (Dracula) lead the cast in Shakespeare’s rom-com of sun, sea, and mistaken identity. The legendary family-run Hotel Messina on the Italian Riveria has been visited by artists, celebrities, and royalty. But when the owner’s daughter weds a dashing young soldier, not all guests are in the mood for love. A string of scandalous deceptions soon surround not only the young couple, but also the adamantly single Beatrice and Benedick. Following the award-winning success of National Theatre Live’s Romeo & Juliet, Twelfth Night and Antony and Cleopatra, director Simon Godwin returns with this irresistible comedy, broadcast live from the National Theatre stage.

Monday 16, January

NT Live 2022: Straight Line Crazy

NT Live 2022: Straight Line Crazy

NR

Ralph Fiennes (Antony & Cleopatra) leads the cast in David Hare’s (Skylight) blazing account of the most powerful man in New York, a master manipulator whose legacy changed the city forever. For forty uninterrupted years, Robert Moses exploited those in office through a mix of charm and intimidation. Motivated at first by a determination to improve the lives of New York City’s workers, he created parks, bridges and 627 miles of expressway to connect the people to the great outdoors. Faced with resistance by protest groups campaigning for a very different idea of what the city should become, will the weakness of democracy be exposed in the face of his charismatic conviction?

Monday 3, October

NT Live 2022: The Seagull

NT Live 2022: The Seagull

NR

Emilia Clarke (Game of Thrones) makes her West End debut in this 21st-century retelling of Anton Chekhov’s tale of love and loneliness. A young woman is desperate for fame and a way out. A young man is pining after the woman of his dreams. A successful writer longs for a sense of achievement. An actress wants to fight the changing of the times. In an isolated home in the countryside, dreams lie in tatters, hopes are dashed, and hearts broken. With nowhere left to turn, the only option is to turn on each other. Following his critically acclaimed five-star production of Cyrano de Bergerac, Jamie Lloyd brings Anya Reiss’ adaptation of Anton Chekhov’s classic play to stage. Filmed live in London’s West End with a cast including Tom Rhys Harries (White Lines), Daniel Monks (The Normal Heart), Sophie Wu (Fresh Meat), and Indira Varma (Game of Thrones).

Monday 13, March

NT Live 2023: Othello

NT Live 2023: Othello

NR

An extraordinary new production of Shakespeare’s most enduring tragedy, directed by Clint Dyer with a cast that includes Giles Terera (Hamilton), Rosy McEwan (The Alienist), and Paul Hilton (The Inheritance). She’s a bright, headstrong daughter of a senator; elevated by her status but stifled by its expectations. He’s a refugee of slavery; having risen to the top of a white world, he finds love across racial lines has a cost. Wed in secret, Desdemona and Othello crave a new life together. But as unseen forces conspire against them, they find their future is not theirs to decide. Othello is filmed live on the Lyttleton stage of the National Theatre.

Monday 22, May

NT Live 2023: The Crucible

NT Live 2023: The Crucible

NR

A witch hunt is beginning in Arthur Miller’s captivating parable of power with Erin Doherty (The Crown) and Brendan Cowell (Yerma). Raised to be seen but not heard, a group of young women in Salem suddenly find their words have an almighty power. As a climate of fear, vendetta and accusation spreads through the community, no one is safe from trial. Lyndsey Turner (Hamlet) directs this contemporary new staging, designed by Tony Award-winner Es Devlin (The Lehman Trilogy). Captured live from the Olivier stage at the National Theatre.

Monday 17, April

NT Live: Jack Absolute Flies Again

NT Live: Jack Absolute Flies Again

NR

July 1940. After an aerial dog fight, Pilot Officer Jack Absolute flies home to rejoin his intrepid young Hurricane squadron at RAF Fontwell (formerly Malaprop Hall). Back on British soil, Jack is shocked to find his old flame, Lydia, on the base. Setting his sights on winning her heart, Jack’s advances turn to anarchy when the young heiress demands to be loved on her own terms.

Monday 14, November

NT Live: Prima Facie

NT Live: Prima Facie

NRThis content is not recommended for anyone under the age of 17 due to adult themes and could include very strong language, intense violence, nudity, graphic sex scenes/dialogue and drug use.

Jodie Comer (Killing Eve) makes her West End debut in the UK premiere of Suzie Miller’s award-winning play. Tessa is a young, brilliant barrister. She has worked her way up from working class origins to be at the top of her game; defending; cross examining and winning. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge. Prima Facie takes us to the heart of where emotion and experience collide with the rules of the game. Justin Martin directs this solo tour de force, captured live from the intimate Harold Pinter Theatre in London’s West End.

Monday 24, October

See How They Run

See How They Run

PG-13for some violence/bloody images and a sexual reference.

In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard (Sam Rockwell) and eager rookie Constable Stalker (Saoirse Ronan) takes on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril.

Monday 26, September

Tuesday 27, September

Wednesday 28, September

Thursday 29, September

Show Future Dates
The Met 2022–23: Champion

The Met 2022–23: Champion

Appropriate for all audiences

Six-time Grammy Award–winning composer Terence Blanchard brings his first opera to the Met after his Fire Shut Up in My Bones made history in the 2021–22 season. Bass-baritone Ryan Speedo Green is the young boxer Emile Griffith, who rises from obscurity to become a world champion, and bass-baritone Eric Owens portrays Griffith’s older self, haunted by the ghosts of his past. Soprano Latonia Moore is Emelda Griffith, the boxer’s estranged mother, and mezzosoprano Stephanie Blythe is the bar owner Kathy Hagan. Yannick Nézet-Séguin returns to the podium to conduct Blanchard’s second Met premiere. Director James Robinson, whose productions of Fire Shut Up in My Bones and Porgy and Bess brought down the house, oversees the staging. Camille A. Brown, whose choreography electrified audiences in Fire and Porgy, also returns.

Saturday 29, April

The Met 2022–23: Der Rosenkavalier

The Met 2022–23: Der Rosenkavalier

Appropriate for all audiences

A stellar trio assembles to take on the lead roles of Strauss’s comedy, with soprano Lise Davidsen in her Met role debut as the Marschallin, opposite mezzo-soprano Isabel Leonard in her Met role debut as Octavian, and soprano Erin Morley as Sophie. Bass Günther Groissböck� returns as Baron Ochs, and Markus Brück is Sophie’s father, Faninal. Maestro Simone Young takes the podium to oversee Robert Carsen’s fin-de-siècle staging.

Saturday 15, April

The Met 2022–23: Die Zauberflöte

The Met 2022–23: Die Zauberflöte

Appropriate for all audiences

Nathalie Stutzmann conducts her second Mozart work this season with a new production of Die Zauberflöte. In his Met-debut staging, Simon McBurney incorporates projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

Saturday 10, June

The Met 2022–23: Don Giovanni

The Met 2022–23: Don Giovanni

Appropriate for all audiences

Tony Award–winning director Ivo van Hove makes his Met debut with a new staging of Mozart’s tragicomedy Don Giovanni. The tale of deceit and damnation is set in an abstract architectural landscape that explores the dark corners of the story and its characters. Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang are Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss sings Don Ottavio.

Saturday 20, May

The Met 2022–23: Falstaff

The Met 2022–23: Falstaff

TBC

A stellar trio assembles to take on the lead roles of Strauss’s comedy, with soprano Lise Davidsen in her Met role debut as the Marschallin, opposite mezzo-soprano Isabel Leonard in her Met role debut as Octavian, and soprano Erin Morley as Sophie. Bass Günther Groissböck� returns as Baron Ochs, and Markus Brück is Sophie’s father, Faninal. Maestro Simone Young takes the podium to oversee Robert Carsen’s fin-de-siècle staging.

Saturday 1, April

The Met 2022–23: Fedora

The Met 2022–23: Fedora

Appropriate for all audiences

Giordano’s exhilarating drama Fedora returns to the Met for the first time in 25 years, starring soprano Sonya Yoncheva in the title role of the 19th-century princess who falls in love with her 5 fiancé’s murderer, Count Loris, sung by tenor Piotr Beczała. Soprano Rosa Feola is the Countess Olga, Fedora’s confidante, and baritone Artur Ruciński is the diplomat De Siriex. Marco Armiliato conducts David McVicar’s intricate production, with a fixed set that unfolds to reveal the opera’s settings: a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.

Saturday 14, January

The Met 2022–23: La Traviata

The Met 2022–23: La Traviata

Appropriate for all audiences

Soprano Nadine Sierra stars as the self-sacrificing courtesan Violetta—one of opera’s ultimate heroines—in Michael Mayer’s vibrant production of Verdi’s beloved tragedy. Tenor Stephen Costello is her self-centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father and Maestro Daniele Callegari on the podium.

Saturday 5, November

The Met 2022–23: Lohengrin

The Met 2022–23: Lohengrin

Appropriate for all audiences

Wagner’s Lohengrin returns to the Met stage after an absence of 17 years with this atmospheric new staging by François Girard. Yannick Nézet-Séguin conducts a cast led by tenor Piotr Beczała in the title role of the mysterious swan knight. Soprano Tamara Wilson is the virtuous duchess Elsa, falsely accused of murder, going head-to-head with soprano Christine Goerke as the cunning sorceress Ortrud. Bass-baritone Evgeny Nikitin is Ortrud’s power-hungry husband, Telramund, and bass Günther Groissböck is King Heinrich.

Saturday 18, March

The Met 2022–23: Medea

The Met 2022–23: Medea

Appropriate for all audiences

Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris.

Saturday 22, October

The Met 2022–23: The Hours

The Met 2022–23: The Hours

Appropriate for all audiences

The world-premiere staging of Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel, which also served as the inspiration for the Oscar-winning film, arrives in cinemas this December. In her highly anticipated return to the Met, soprano Renée Fleming joins soprano Kelli O’Hara and mezzo-soprano Joyce DiDonato to portray three women from different eras who grapple with their inner demons and their roles in society. Phelim McDermott, who recently created the Met’s acclaimed production of Philip Glass’s Akhnaten, directs this compelling drama, and Yannick Nézet-Séguin takes the podium to conduct Puts’s powerful score.

Saturday 10, December