When a charming house guest (Galitzine) arrives at a remote castle, the delicate dynamic between a neglectful husband, his innocent bride Cherry (Monroe), and their devoted maid Hero (Corrin), is thrown into chaos.

A mysterious young girl wanders a desolate, otherworldly landscape, carrying a large egg.

There are plenty of holiday-themed horror movies to go around — we even got another pretty solid Thanksgiving-centric one as recently as last year — but there’s a reason 1987’s BLOOD RAGE has become one of Central Cinema’s most-revisited seasonal favorites: from surprise black sheep dinner guests to heroic matriarchal wine pours, BLOOD RAGE offers an obscenely enjoyable riff on Turkey Day complications, and remains one of the most persuasive cases for certain “bad” movies being way more entertaining than most “good” movies. Don’t miss out! Todd and Terry are twin bros with twin problems — namely, one of them is an axe-wielding maniac! After a literal drive-in massacre, Todd is blamed for the carnage and institutionalized, while Terry goes free. Ten years later, Todd escapes from an asylum on Thanksgiving aka it’s time for blood to raaaaage!! Produced by whip-smart filmmaker Maryanne Kantor, directed by John Grissmer (SCALPEL), and shot in Florida, BLOOD RAGE is what happens when you combine Thanksgiving, 1970s TV star Louise Lasser, a killer synth score, and the most unbelievable gore effects in all of slasherdom, courtesy Ed French (TERMINATOR 2). Just remember, “It’s not cranberry sauce!”- AGFA

In this 19th century, supernatural winter epic, a drunken applejack salesman must go from zero to hero and become North America's greatest fur trapper by defeating hundreds of beavers.

A man must struggle to travel home for Thanksgiving with an obnoxious slob of a shower curtain ring salesman as his only companion.

Our latest $7 wildcard series reimagines our popular OVA Extreme events with an expanded purview... join us as we dig deep into the wide, wild world of anime with ANIME EXTREME!

Our Asian Underground $7 grab bag series presents a monthly dispatch from the world of alternative Asian genre cinema, notorious and influential for boundary-smashing oddity and extremity. (Not suitable for audiences under the age of 18.)

A twisted reimagining of the controversial classic – After witnessing his parents’ brutal murder on Christmas Eve, Billy transforms into a Killer Santa, delivering a yearly spree of calculated, chilling violence. This year, his blood-soaked mission collides with love, as a young woman challenges him to confront his darkness. “Have you been naughty?”

The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.

Two women troubled with guy-problems swap homes in each other's countries, where they each meet a local guy and fall in love.

Two women troubled with guy-problems swap homes in each other's countries, where they each meet a local guy and fall in love.

Central Cinema is thrilled to present Carl Theodor Dreyer's silent masterpiece (starring Maria Falconetti in one of cinema's most famously striking performances) with the premiere of a custom live score from musician, composer and longtime friend-of-the-theater Andrew Swafford. Inspired by a "religious experience" watching the film in total silence, Swafford's long-gestating score draws on a variety of styles both contemplative and challenging, and will be performed in a trio with bassist Ash Baker, electronic noise artist Cole Green and Swafford himself on synths & guitar. One show only...don't miss out! LA PASSION DE JEANNE D'ARC (1928) | Spiritual rapture and institutional hypocrisy are brought to stark, vivid life in one of the most transcendent achievements of the silent era. Chronicling the trial of Joan of Arc in the final hours leading up to her execution, Danish master Carl Theodor Dreyer depicts her torment with startling immediacy, employing an array of techniques—including expressionistic lighting, interconnected sets, and painfully intimate close-ups— to immerse viewers in her subjective experience. Anchoring Dreyer’s audacious formal experimentation is a legendary performance by Renée Falconetti, whose haunted face channels both the agony and the ecstasy of martyrdom. Thought to have been lost to fire, the film’s original version was miraculously found in perfect condition in 1981 in a Norwegian mental institution, heightening the mythic status of this widely revered masterwork. (Janus Films) "Stunning in its power, uncompromising in its severity and seriousness, Carl Theodor Dreyer's silent masterpiece from 1928 all but scorches a hole in the screen." - The Guardian