KMA presents THE NIGHT OF THE HUNTER • Wednesday January 7 ($5 16mm Screening) and Thursday January 8 (4K digital encore) at Central Cinema Our ongoing collaboration with the Knoxville Museum of Art kicks off 2026 with Charles Laughton's stone cold classic THE NIGHT OF THE HUNTER, presented in support of their ongoing exhibit "Raking Light: Photographs of East Tennessee and the American South." (The film's screenwriter, Knoxville native James Agee, famously collaborated with photographer Walker Evans on the celebrated book Now Let Us Praise Famous Men.) Wednesday's event screening (FREE for KMA members and $5 for the general public) will feature an introduction by the KMA's Clark Gillespie and be presented on a 16mm film print courtesy of the Tennessee Archive of Moving Image and Sound, while Thursday's regular-price encore will feature the film in its 4K digital version. The Rev. Harry Powell (Robert Mitchum) is a religious fanatic and serial killer who targets women who use their sexuality to attract men. Serving time in prison for car theft, he meets condemned murderer Ben Harper (Peter Graves), who confesses to hiding $10,000 in stolen loot. Released from jail, Powell is obsessed with finding the money, and he tracks down Harper's widow, Willa (Shelley Winters), and her two children, John (Billy Chapin) and Pearl (Sally Jane Bruce).
G
The well-known explorer and hunter Captain Spaulding has just returned from Africa, and is being welcomed home with a lavish party at the estate of influential society matron Mrs. Rittenhouse when a valuable painting goes missing. The intrepid Captain Spaulding attempts to solve the crime with the help of his silly secretary Horatio Jamison, while sparring with the anarchic Signor Emanuel Ravelli and his nutty sidekick The Professor.
Rfor language
Winner of the Golden Lion Best Film prize at the 2025 Venice Film Festival, FATHER MOTHER SISTER BROTHER is the eagerly-awaited new film from Jim Jarmusch. Funny, tender and astutely observed, this is an intimate exploration of the universal intricacies of family dynamics. Starring Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Indya Moore and Luka Sabbat. Told in the form of a triptych divided into chapters set in New Jersey, Dublin and Paris, each story concerns the relationships between adult children, their somewhat distant parent (or parents), and each other. Blending remarkable performances from its ensemble cast with Jarmusch’s wry and idiosyncratic observations of everyday life, the iconic indie director’s latest serves as a timely reminder that you can choose your friends and your lovers, but you can’t choose your family.
18+ SCREENINGS An X-Rated descent into demented comedy and maniacal horror, as a desperate mother drags an innocent stranger into an absurd, filthy nightmare beyond comprehension. An unflinchingly loyal adaptation of transgressive artist Johnny Ryan's joyfully disgusting comic book. Adults only.
Central Cinema is thrilled to once again be a part of Cinematic Void's January Giallo celebration, in which theaters across the country spotlight the stylish, transgressive Italian murder mysteries that came to prominence in the 1970s and would remain a lasting influence on screen horror. (Italian for “yellow”, the term giallo originates from the signature cover color of a popular line of pulp crime novels from publisher Mondadori.) Made possible by our friends at the American Genre Film Archive, this year’s one-night-only January Giallo double bill features two 4K-restored, blood-gushingly deep cuts: Mario Bava’s 1971 landmark A BAY OF BLOOD (widely considered ground zero for the enduringly popular “slasher” genre) and Pupi Avati’s THE HOUSE WITH LAUGHING WINDOWS, celebrating its 50th anniversary as an undersung giallo fan favorite. The first 50 double feature passholders through the door will be provided a special A BAY OF BLOOD barf bag provided by AGFA and featuring one of the film’s alternate English titles, CARNAGE. Single-film tickets will be available at the door the night of the event. A BAY OF BLOOD (1971, 4K) | After having established the giallo genre with BLOOD AND BLACK LACE in ‘64, Mario Bava once again forever alters the horror landscape with A BAY OF BLOOD in ‘71. This primal scream of a film doesn’t merely hint at what’s to come later in its decade with TEXAS CHAINSAW MASSACRE and HALLOWEEN. Rather, it bursts onto the scene as *the first slasher*, fully formed, without threadbare hallmarks of anything labeled with the “proto-” prefix. A BAY OF BLOOD seriously delivers the goods in the slasher thrills department, and was the source material for two of FRIDAY THE 13TH PART 2’s greatest kills…this thing’s even set at a lakeside cabin (hint, hint!) THE HOUSE WITH LAUGHING WINDOWS (1976, 4K) | Rightfully taking its place amongst the greatest giallos ever made, Pupi Avati’s THE HOUSE WITH LAUGHING WINDOWS offers a uniquely eerie twist on the genre, culminating in an unforgettable ending that remains with you long after the credits have rolled. Art restorer Stefano arrives at an isolated Italian village to repair a fresco depicting Saint Sebastian agonizing’s martyrdom. The original painter was a death artist: a madman so obsessed with mortality that, according to whispered rumors, he tortured his models in their final moments of life. When people in the village start turning up dead, Stefano is forced to consider that the artist has returned to his brutal career, with Stefano as the primary target.
In a future where humanity has surrendered its ability to dream in exchange for immortality, an outcast (Jackson Lee) finds illusion, nightmarish visions, and beauty in an intoxicating world of his own making. A work of staggering imagination from visionary Chinese director Bi Gan (Long Day’s Journey Into Night), Resurrection conjures vast and ever-shifting worlds on the brink of collapse in an era-spanning journey through our deepest and most human desires.
PG
A young beautician, newly arrived in a small Louisiana town, finds work at the local salon, where a small group of women share a close bond of friendship and welcome her into the fold.
R
Isolated ex-marine Travis Bickle applies for a job as a taxi driver, hoping that the nocturnal working pattern will alleviate the effects of his insomnia and distract him from his gnawing depression. But ferrying passengers through the seedy underbelly of night-time New York City only compounds Bickle's psychological dislocation from the world around him. His nightshifts in the cab are spent resenting those he sees, while his waking daytime hours are wasted away in adult movie theatres. After entering into a troubled relationship with a political campaigner and embarking on a fraught mission to save a teenager from the world of prostitution, Bickle's sense of place and purpose steadily warps. He withdraws into himself, hordes illegal firearms and begins a regimen of intense physical training in preparation for a misguided vigilante assault on the evils of society.
Developed and produced by an uncredited Mel Brooks, David Lynch's ERASERHEAD followup found him sidestepping his idiosyncrasies to serve a handsome, humane biographical drama; the result was a quiet hit that earned eight Academy Award nominations, including Best Picture and Best Director. (Screening in an optional double bill with ERASERHEAD on Sunday 6/11 as part of our David Lynch director series.) Dr. Frederic Treves (Anthony Hopkins) discovers Joseph (John) Merrick (John Hurt) in a sideshow. Born with a congenital disorder, Merrick uses his disfigurement to earn a living as the ""Elephant Man."" Treves brings Merrick into his home, discovering that his rough exterior hides a refined soul, and that Merrick can teach the stodgy British upper class of the time a lesson about dignity. Merrick becomes the toast of London and charms a caring actress (Anne Bancroft) before his death at 27.
R
A love triangle develops between a beautiful yet dangerous vampire, her cellist companion, and a gerontologist.
The Rev. Harry Powell (Robert Mitchum) is a religious fanatic and serial killer who targets women who use their sexuality to attract men. Serving time in prison for car theft, he meets condemned murderer Ben Harper (Peter Graves), who confesses to hiding $10,000 in stolen loot. Released from jail, Powell is obsessed with finding the money, and he tracks down Harper's widow, Willa (Shelley Winters), and her two children, John (Billy Chapin) and Pearl (Sally Jane Bruce).
PG
While home sick in bed, a young boy's grandfather reads him the story of a farmboy-turned-pirate who encounters numerous obstacles, enemies and allies in his quest to be reunited with his true love.
R
Harry and Sally have known each other for years, and are very good friends, but they fear sex would ruin the friendship.
One of the most iconic performances in the history of modern music, David Bowie’s retirement of his Ziggy Stardust alter ego in front of 5,000 fans at London’s Hammersmith Odeon was captured on film by award-winning director D.A. Pennebaker on July 3, 1973. In celebration of the 50th anniversary of this event, the original, uncut version of the film has been restored in 4K and with a 5.1 theatrical mix and will feature never-before-seen performances with legendary guitar player Jeff Beck. ZIGGY STARDUST & THE SPIDERS FROM MARS: THE MOTION PICTURE 50TH ANNIVERSARY is the closest audiences will come to being there on that unforgettable night 50 years ago.