Show Times
Tuesday 27, January
Saturday 31, January
Sunday 1, February
All the President's Men
PG
Two green reporters and rivals working for the Washington Post, Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), research the botched 1972 burglary of the Democratic Party Headquarters at the Watergate apartment complex. With the help of a mysterious source, code-named Deep Throat (Hal Holbrook), the two reporters make a connection between the burglars and a White House staffer. Despite dire warnings about their safety, the duo follows the money all the way to the top.
January Giallo 2026 Double Bill
Central Cinema is thrilled to once again be a part of Cinematic Void's January Giallo celebration, in which theaters across the country spotlight the stylish, transgressive Italian murder mysteries that came to prominence in the 1970s and would remain a lasting influence on screen horror. (Italian for “yellow”, the term giallo originates from the signature cover color of a popular line of pulp crime novels from publisher Mondadori.) Made possible by our friends at the American Genre Film Archive, this year’s one-night-only January Giallo double bill features two 4K-restored, blood-gushingly deep cuts: Mario Bava’s 1971 landmark A BAY OF BLOOD (widely considered ground zero for the enduringly popular “slasher” genre) and Pupi Avati’s THE HOUSE WITH LAUGHING WINDOWS, celebrating its 50th anniversary as an undersung giallo fan favorite. The first 50 double feature passholders through the door will be provided a special A BAY OF BLOOD barf bag provided by AGFA and featuring one of the film’s alternate English titles, CARNAGE. Single-film tickets will be available at the door the night of the event. A BAY OF BLOOD (1971, 4K) | After having established the giallo genre with BLOOD AND BLACK LACE in ‘64, Mario Bava once again forever alters the horror landscape with A BAY OF BLOOD in ‘71. This primal scream of a film doesn’t merely hint at what’s to come later in its decade with TEXAS CHAINSAW MASSACRE and HALLOWEEN. Rather, it bursts onto the scene as *the first slasher*, fully formed, without threadbare hallmarks of anything labeled with the “proto-” prefix. A BAY OF BLOOD seriously delivers the goods in the slasher thrills department, and was the source material for two of FRIDAY THE 13TH PART 2’s greatest kills…this thing’s even set at a lakeside cabin (hint, hint!) THE HOUSE WITH LAUGHING WINDOWS (1976, 4K) | Rightfully taking its place amongst the greatest giallos ever made, Pupi Avati’s THE HOUSE WITH LAUGHING WINDOWS offers a uniquely eerie twist on the genre, culminating in an unforgettable ending that remains with you long after the credits have rolled. Art restorer Stefano arrives at an isolated Italian village to repair a fresco depicting Saint Sebastian agonizing’s martyrdom. The original painter was a death artist: a madman so obsessed with mortality that, according to whispered rumors, he tortured his models in their final moments of life. When people in the village start turning up dead, Stefano is forced to consider that the artist has returned to his brutal career, with Stefano as the primary target.
Paddington
PGfor mild action and rude humor
A young Peruvian bear travels to London in search of a home. Finding himself lost and alone at Paddington Station, he meets the kindly Brown family, who offer him a temporary haven.
Real Genius
PG
Teenage geniuses deal with their abilities while developing a high-powered laser for a university project. When their professor intends to turn their work into a military weapon, they decide to ruin his plans.
The Bikeriders
Rfor language throughout, violence, some drug use and brief sexuality.
THE BIKERIDERS follows the rise of a midwestern motorcycle club, the Vandals. Seen through the lives of its members, the club evolves over the course of a decade from a gathering place for local outsiders into a more sinister gang, threatening the original group’s unique way of life.
Yi Yi
NR
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother-in-law is in a coma, his wife suffers a spiritual crisis when she finds her life a blank and his business partners make bad decisions.