Duke Tumatoe, born William “Bill" Severen Fiorio in 1947, is an American blues guitarist, vocalist and songwriter. He has gigged with Muddy Waters, Bo Diddley, B.B. King, Willie Dixon, Buddy Guy, John Fogerty and George Thorogood. He was a founding member of arena-rock giants REO Speedwagon. He has released fifteen albums as the bandleader of Duke Tumatoe & The All-Star Frogs and Duke Tumatoe & The Power Trio. His 1988 live album I Like My Job was produced by John Fogerty. He typically plays more than 100 dates per year.
A country singer-songwriter with a midwestern rock flair, Clayton Anderson kicked off his grassroots fan following playing local bars and parties as a student at Indiana University. In 2008, he walked onstage at Kenny Chesney’s Next Big Star Battle in Cincinnati and walked off a winner.
Audiences are treated to Lynn’s vocal illusion talents, when they may meet a drunken and lovable camel, a grumpy old man, a feisty little girl, and may even see some other audience members who are brought up for the action! Lynn’s off-the-wall audience interplay is riotously funny, no two shows are alike! Her performances are tailored for both family and adult audiences. Lynn has received many awards and nominations throughout her career including The American Comedy Awards, Variety Entertainer of the Year, and Comedy Entertainer of the Year by National Association of Campus Activities. She has been nominated for Best Female Performer by Corporate America Magazine, and has been named Funniest Female by Campus Activities Magazine. In 2010, Lynn received the “People’s Choice Award” by the Ohio Arts Presenters Association. She is a premier entertainer for Disney Cruise Lines, as well as Crystal and Norwegian Cruise Lines. She is also a favorite among many Celebrity Golf Classic Invitationals and the Atlantis Resort and Casino in Nassau, Bahamas. Lynn (and her many voices) has appeared on ABC, TNN, A&E, and Lifetime. She is featured in a recently released comedy/documentary about the art of ventriloquism with Jay Johnson and Jeff Dunham called “I’m No Dummy” by NBC Universal.
PG-13for mature thematic content, strong language including racial epithets, violence, suggestive material, and smoking.
Following the rise of Aretha Franklin’s career from a child singing in her father’s church’s choir to her international superstardom, RESPECT is the remarkable true story of the music icon’s journey to find her voice.
PGfor macabre and rude humor, violence and language.
Everyone’s favorite spooky family is back in the animated comedy sequel, The Addams Family 2. In this all new movie we find Morticia and Gomez distraught that their children are growing up, skipping family dinners, and totally consumed with “scream time.” To reclaim their bond they decide to cram Wednesday, Pugsley, Uncle Fester and the crew into their haunted camper and hit the road for one last miserable family vacation. Their adventure across America takes them out of their element and into hilarious run-ins with their iconic cousin, It, as well as many new kooky characters. What could possibly go wrong?
Rdisturbing war images.
On the centenary of the end of First World War, Academy Award-winner Peter Jackson (The Lord of the Rings trilogy) presents the World Premiere of an extraordinary new work showing the Great War as you have never seen it. This unique film brings into high definition the human face of the First World War as part of a special London Film Festival presentation alongside a live Q&A with director Peter Jackson hosted by Mark Kermode. Using state of the art technology to restore original archival footage which is more than a 100-years old, Jackson brings to life the people who can best tell this story: the men who were there. Driven by a personal interest in the First World War, Jackson set out to bring to life the day-to-day experience of its soldiers. After months immersed in the BBC and Imperial War Museums’ archives, narratives and strategies on how to tell this story began to emerge for Jackson. Using the voices of the men involved, the film explores the reality of war on the front line; their attitudes to the conflict; how they ate; slept and formed friendships, as well what their lives were like away from the trenches during their periods of downtime. Jackson and his team have used cutting edge techniques to make the images of a hundred years ago appear as if they were shot yesterday. The transformation from black and white footage to colourised footage can be seen throughout the film revealing never before seen details. Reaching into the mists of time, Jackson aims to give these men voices, investigate the hopes and fears of the veterans, the humility and humanity that represented a generation changed forever by a global war.