Amélie (Audrey Tatou), the heroine of Jean-Pierre Jeunet’s award-winning whimsical romance, is no ordinary young woman. A waitress in a Montmartre, Paris bar, Amélie observes people and lets her imagination roam free. One day, she suddenly finds her purpose in life: to solve other people’s problems. We follow her around a lovingly and vividly photographed Paris of saturated colors, as she engineers offbeat solutions to better her deserving co-workers, relatives and neighbors’ lives…Among them the concierge who spends her day sipping port while communing with a stuffed dog; Georgette, the hypochondriac newsdealer; and the “glass man”, who lives vicariously through a Renoir reproduction. Amélie’s mission to help others is rudely interrupted when she meets a strange, off-beat young man, Nino Quincampoix (Mathieu Kassovitz), who captures her interest, and sets her on a misson to do accomplish something for herself…in the most charming and complicated way possible.

2025 Sundance Documentary Winner A celebration of life filled with raw honesty, surreal bursts of imagination, and brazen irreverence, ANDRÉ IS AN IDIOT shows us what it really means to live happily, truthfully, and hilariously. In this Sundance award winning documentary, André Riccardi sets out to chronicle his final journey after receiving a diagnosis he could have prevented, through comedic vérité storytelling and fantastical stop-motion interludes.

Young Salvatore Di Vita (Salvatore Cascio) discovers the perfect escape from life in his war-torn Sicilian village: the Cinema Paradiso movie house, where projectionist Alfredo (Philippe Noiret) instills in the boy a deep love of films. When Salvatore grows up, falls in love with a beautiful local girl (Agnese Nano) and takes over as the Paradiso's projectionist, Alfredo must convince Salvatore to leave his small town and pursue his passion for filmmaking.

American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.

ACT I Russia, 19th century. Autumn in the country. On the Larin estate. Madame Larina reflects upon the days before she married, when she was courted by her husband but loved another. She is now a widow with two daughters: Tatiana and Olga. While Tatiana spends her time reading novels, with whose heroines she closely identifies, Olga is being courted by their neighbor, the poet Lenski. He arrives unexpectedly, bringing with him a new visitor, Eugene Onegin, with whom Tatiana falls in love. Tatiana asks her nurse Filippyevna to tell her of her first love and marriage. Tatiana stays up all night writing a passionate letter to Onegin and persuades Filippyevna to have her grandson deliver it in the morning. Tatiana waits for Onegin’s response in the garden. He admits that he was touched by her declaration but explains that he cannot accept it and can only offer her friendship. He advises her to control her emotions, lest another man take advantage of her innocence. ACT II January. The local community has been invited to the Larin estate to celebrate Tatiana’s name day. Onegin has reluctantly agreed to accompany Lenski to what he mistakenly believes will be an intimate family celebration. Annoyed to find himself trapped at an enormous party and bored by the occasion, Onegin takes his revenge on Lenski by flirting and dancing with Olga. Lenski’s jealousy is aroused to such a height that he challenges Onegin to a duel. The party breaks up. Before the duel, Lenski meditates upon his poetry, upon his love for Olga, and upon death. Lenski’s second finds Onegin’s late arrival and his choice of a second insulting. Although both Lenski and Onegin are full of remorse, neither stops the duel. Lenski is killed. ACT III St. Petersburg. Having travelled abroad for several years since the duel, Onegin has returned to the capital. At a ball, Prince Gremin introduces his young wife. Onegin is astonished to recognize her as Tatiana and to realize that he is in love with her. Onegin has sent a letter to Tatiana. He arrives at the Gremin palace and begs her to run away with him. Tatiana admits that she still loves him, but that she has made her decision and will not leave her husband. Onegin is left desperate. —Reprinted courtesy of English National Opera

An anxious law school dropout (Matthew Shear) stumbles into a job babysitting his psychiatrist's three granddaughters and falls for the girls' mother (Amanda Peet), an actress in a rocky marriage. A smart, New York-set romantic comedy co-starring Alessandro Nivola, Judd Hirsch, Bob Balaban, Andrea Martin, Zosia Mamet, and Holland Taylor. Winner of the SXSW Narrative Feature Audience Award.

How Horses Heal is a documentary exploring the profound effects of awe-inspiring relationships people have with horses. Director & Cinematographer Geoffrey Bassett and Producer Kim Roderiques take you on a visual journey throughout New England at local farms and sanctuaries where you will witness how horses heal people unconditionally. Equine therapy and integrative equine therapy are two effective ways to treat people with PTSD, Autism and Multiple Sclerosis among many others challenges. The ability to trust, develop confidence and become more socially comfortable are a few examples how horses heal. You will hear from a panel of noteworthy people who have made a significant difference in the lives of many in New England including Dr. Elizabeth Richardson, Nancy and Nicole Sheridan, Patti Maroney, Dr. Bill Kaser, Kolby Kaser, Carley Moreale, Cat Wilson, Eileen Buckley, and executive producer, Christy Cashman. These amazing individuals will share their moving stories regarding the poignant truth about how horses heal as well as the powerful effects animals have on all of us. This screening will benefit Emerald Hollow Therapeutic Riding Center and Mills River Rescue and Sanctuary with proceeds going to these extraordinary non-profit organizations.

Based on the life story of Tourette's Syndrome campaigner John Davidson, MBE. Set within 1980s Britain, the story follows him throughout his troubled teens and early adulthood, and explores this little known and entirely misunderstood condition, along with his attempts to live a ‘normal’ life against the odds.

Power To The People: John & Yoko Live in NYC is the 2026 multiscreen concert film of two massive live shows by John Lennon & Yoko Ono at Madison Square Garden, New York City on 30 August 1972, newly restored, re-edited and remixed by the Lennons’ seven-times GRAMMY®-Award winning team. John & Yoko/Plastic Ono Band with Elephant's Memory and Special Guests performed these now-legendary sold-out One To One concerts to a combined audience of 40,000 people, raising over $1.5M (equivalent to $11.5M in 2026) for children with intellectual and developmental disabilities. They were the only full-length concerts John Lennon (with Yoko Ono) performed after leaving The Beatles. Originally filmed by multi-camera director Steve Gebhardt in 1972, this 2026 version of the concert film is directed by Simon Hilton, edited by Ben Wainwright-Pearce and produced by Peter Worsley & Sean Ono Lennon. Music Production is by Sean Ono Lennon; mixed and engineered by Paul Hicks & Sam Gannon. Hits performed include John's 'New York City', 'Instant Karma!', 'Imagine' and 'Mother', plus Yoko's 'Don't Worry Kyoko' and 'Open Your Box', plus rousing renditions of 'Come Together' & 'Hound Dog' and encore 'Give Peace a Chance' with special guests Stevie Wonder, Melanie and many others.

From the Academy Award®-winning filmmakers behind Everything Everywhere All at Once and Navalny; a father-to-be tries to figure out what is happening with all this AI insanity. The AI Doc: Or How I Became an Apocaloptimist is a hand-made, eye-opening documentary about the most powerful technology humanity has ever created... and what’s at stake if we get it wrong.

The estranged children of a once-famous artist hire a forger to complete his unfinished works so they can be "discovered" and sold after his death.

Twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in 20th Century Studios’ “The Devil Wears Prada 2,” the eagerly awaited sequel to the 2006 phenomenon that defined a generation. The film is directed by David Frankel, written by Aline Brosh McKenna, produced by Wendy Finerman, and executive produced by Michael Bederman, Karen Rosenfelt and Aline Brosh McKenna.

After years of self-imposed exile, pianist Mathias (François Civil) returns to France, where his former mentor, Eléna (Charlotte Rampling), has invited him to perform a series of concerts with her in his hometown of Lyon. Once a rising star of the French musical scene and Eléna’s prized pupil, Mathias has spent many years teaching and performing in Japan. Soon after his arrival, a chance encounter with a child who looks just like him throws Mathias into turmoil, threatening to drag him down, and leads him back to his first love, Claude (Nadia Tereszkiewicz). French master Arnaud Desplechin (My Sex Life…, A Christmas Tale) returns to some of his favorite themes – psychologically charged homecomings and unexpected reunions (romantic and otherwise) – in this sensual, Hitchcockian melodrama featuring one of Rampling’s most delicious roles in years.