Cracking the Code, narrated by Mark Ruffalo, is an inspiring story of vision, perseverance, and the power of science to change the world. Phil Sharp’s journey from a Kentucky farm boy to Nobel laureate embodies the American Dream and the triumph of entrepreneurial spirit. His 1977 groundbreaking discovery of RNA splicing rewrote the rules of molecular biology and ignited a life-saving scientific revolution, laying the foundation for an industry that has become a cornerstone of global innovation and economic growth – and transformed the health of billions of patients worldwide.

EAST OF WALL is an authentic portrait of female resilience in the 'New West' inspired and played by the women and girls who live it. Set in the Badlands of South Dakota, Tabatha, a young, rebellious rancher, who rescues and resells horses, must make hard decisions to deal with her fractured family, financial uncertainty, and unresolved grief, all while providing refuge for a group of wayward neighborhood teens.

IT’S NEVER OVER: JEFF BUCKLEY, directed by Oscar-nominated filmmaker Amy Berg (DELIVER US FROM EVIL, JANIS: LITTLE GIRL BLUE, WEST OF MEMPHIS), covers the life of the rising young star with an otherworldly voice and boundary-pushing artistry, who left the '90s music world reeling when he died suddenly, at age 30, after the release of his critically acclaimed debut album “Grace.” Told through never-before-seen footage from Buckley’s archives and intimate accounts from his mother Mary Guibert, former partners Rebecca Moore and Joan Wasser, Jeff’s former bandmates, including Michael Tighe and Parker Kindred, and luminaries like Ben Harper and Aimee Mann, IT’S NEVER OVER, JEFF BUCKLEY illuminates one of modern music’s most influential and enigmatic figures.

In this heartfelt and funny story, three sisters (Scarlett Johansson, Sienna Miller, Emily Beecham) return to their childhood home for a momentous occasion: the third wedding of their twice-widowed mother (Kristin Scott Thomas). Over the weekend, the family gathers to celebrate the new marriage, but mother and daughters alike are forced to revisit the past and confront the future, all with help from a colorful group of unexpected wedding guests.

In this electric performance from 2013, baritone Željko Lučić sings the title role in Michael Mayer’s 1960s-era production of Verdi’s great drama, sharing the stage with soprano Diana Damrau and tenor Piotr Beczała. Michele Mariotti conducts.

Grateful Dead celebrate their 60th Anniversary with a highly anticipated return to big screens for the annual theatrical event “Meet-Up At The Movies” in select territories worldwide on August 14. For a limited time only, this special cinematic event allows fans to come together and celebrate the enduring legacy of the Grateful Dead. This year, Rhino Entertainment and Trafalgar Releasing present the Dead’s eponymous film THE GRATEFUL DEAD MOVIE. This fan- favorite cult classic follows the legendary band on what at the time was believed to be their final performances, a five-night run at San Francisco's Winterland Ballroom in October of 1974, the final night billed as “The Last One.” Featuring stellar live performances, mind-bending animation, interviews with band members and crew, the film has a rare focus on the band’s fans and their deep commitment to the Dead Head lifestyle. Be sure to stay till the end for the exclusive theatrical premier of “China Cat Sunflower > I Know You Rider”, a bonus live performance from the October ‘74 Winterland shows not included in the official film release.

The Last Class is a nuanced and deeply personal portrait of master educator Robert Reich teaching his final course and reflecting on a period of immense transformation, personally and globally. It is a love letter to education. The former Secretary of Labor might be famous for his public service, best-selling books, and viral social media posts, but he always considered teaching his true calling. Now, after over 40 years and an extraordinary 40,000 students, Reich is preparing for his last class. Over the course of the film, Reich confronts the impending finality, and his own aging, with increasing candor, introspection, and, ultimately, emotion. He displays a rawness of feeling he has never shared publicly before. Drawing on his lifetime in politics, he uses his class, “Wealth and Poverty,” to offer us all a deeper look at why inequalities of income and wealth have widened significantly since the late 1970s, and why this poses dangerous risks to our society. One thousand students fill the biggest lecture hall on the UC Berkeley campus, the last class to receive Reich’s wisdom and exhortations not to accept that the world has to stay the way it is. His belief in the next generation’s ability to take on the fight is inspiring.