Young Salvatore Di Vita (Salvatore Cascio) discovers the perfect escape from life in his war-torn Sicilian village: the Cinema Paradiso movie house, where projectionist Alfredo (Philippe Noiret) instills in the boy a deep love of films. When Salvatore grows up, falls in love with a beautiful local girl (Agnese Nano) and takes over as the Paradiso's projectionist, Alfredo must convince Salvatore to leave his small town and pursue his passion for filmmaking.

American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.

In the tense 72 hours before D-Day, and the fate of the free world hanging in the balance, PRESSURE follows General Dwight D. Eisenhower and Captain James Stagg as they face an impossible choice—launch the largest and most dangerous invasion in history or risk losing the war altogether.

Stolen Kingdom is a documentary that delves into the history of mischief, scandal, and theft at Walt Disney World, ultimately leading to the theft of an animatronic valued at nearly half a million dollars. The film features key figures from the park’s underground exploration community, each sharing their unique stories. As the narrative unfolds, early pranks and antics are shown to have inspired more recent crimes, culminating in a true crime mystery. What begins as a tale of friendship and passion ends with one lingering question: Who stole Buzzy?

Twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in 20th Century Studios’ “The Devil Wears Prada 2,” the eagerly awaited sequel to the 2006 phenomenon that defined a generation. The film is directed by David Frankel, written by Aline Brosh McKenna, produced by Wendy Finerman, and executive produced by Michael Bederman, Karen Rosenfelt and Aline Brosh McKenna.

After years of self-imposed exile, pianist Mathias (François Civil) returns to France, where his former mentor, Eléna (Charlotte Rampling), has invited him to perform a series of concerts with her in his hometown of Lyon. Once a rising star of the French musical scene and Eléna’s prized pupil, Mathias has spent many years teaching and performing in Japan. Soon after his arrival, a chance encounter with a child who looks just like him throws Mathias into turmoil, threatening to drag him down, and leads him back to his first love, Claude (Nadia Tereszkiewicz). French master Arnaud Desplechin (My Sex Life…, A Christmas Tale) returns to some of his favorite themes – psychologically charged homecomings and unexpected reunions (romantic and otherwise) – in this sensual, Hitchcockian melodrama featuring one of Rampling’s most delicious roles in years.