Yue's brother is executed by the government. Determined to bring his body back home, Yue goes to Taipei alone and is almost sold by human traffickers. Luckily, Kung-tao, a discharged soldier, saves her. Yue is poor but all she wants is a proper burial for her brother. Kung-tao, seeing no prospects in his own life, decides to help Yue. Two people with no relations become friends in need, embarking on a journey that could cost them their lives.

In 1955, 60-year-old Marcel Pagnol is a well-known and acclaimed playwright and filmmaker. When the editor-in-chief of ELLE magazine commissions a weekly column about Pagnol’s childhood, he sees this as a great opportunity to go back to his artistic roots: writing. Realizing his memory is failing him and deeply affected by the disappointing results of his last two plays, Pagnol starts doubting his ability to pursue his work. That is until Little Marcel — the young boy he used to be — appears to him as if by magic. Together, they will explore Marcel Pagnol’s incredible life and bring back to life his most cherished encounters and memories...

In this 19th century, supernatural winter epic, a drunken applejack salesman must go from zero to hero and become North America's greatest fur trapper by defeating hundreds of beavers.

With her feature debut I LIVE HERE NOW, Julie Pacino plunges us into a vibrant and nightmarish psychodrama that reverberate with echoes of David Lynch, Dario Argento, and the Coen brothers. Starring Lucy Fry (BRIGHT) as Rose, a woman haunted by trauma and trapped in a motel where reality unravels, the film blurs the lines between past and present, dream and waking life, captured in vivid 16mm. The film pulses with competing anxieties: the pursuit of perfection, the weight of generational trauma, and the invisible fist of capitalism tightening its grip around the necks of its characters. Featuring an all-star supporting cast including Madeline Brewer (CAM), Sheryl Lee (TWIN PEAKS), Cara Seymour (ADAPTATION.), and an exceptionally slimy Matt Rife, I LIVE HERE NOW marks the emergence of a bold new voice in genre cinema.

On the verge of finally breaking into her dream career in Los Angeles, Paige (in a hilariously deadpan performance by Valentina Tammaro) is forced to put everything on hold, move back in with her parents, and undergo a vulvar vestibulectomy, in order to alleviate years of vaginal pain. Paige’s excruciating and hilarious road to recovery makes the health and wellbeing of her lady parts a family affair, as her loving but over-enthusiastic parents learn that saying “vagina” loud and proud is the first step to advocating for women’s health. Based on writer/executive producer Bonnie Gross’s true story, Gross and director Nancy Boyd both pull from their own, horrifically cringe-worthy experiences with vaginal pain and the difficulties women face receiving treatment. Lady Parts is heartfelt, laugh-out-loud funny, and brutally honest, offering audiences a glimpse into an experience many women face, but few talk about, either on or offscreen.

The Lunachicks, an all-female punk band renowned for their unabashed humor and unwavering pro-women ethos, made their mark on NYC’s underground music scene in the ‘90s. A rollercoaster of drugs, romances, and creative conflicts ultimately led to their 2000 breakup, but can love of the music reunite them for one last show? Buoyed by energetic storytelling, gritty '80s-'90s nightclub footage, insightful interviews, and high-voltage performances, this is a must-watch for music history enthusiasts.

Science teacher Ryland Grace (Ryan Gosling) wakes up on a spaceship light years from home with no recollection of who he is or how he got there. As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction… but an unexpected friendship means he may not have to do it alone.

Boston premiere of Skweezy Jibbs Makes a Movie with Skweezy live, in person. Be among the first people to see the movie, and stay for an exclusive Q&A with Skweezy himself as he kicks off his US tour. One night only! Oddball internet legend Skweezy Jibbs is making the movie of his dreams. Unfortunately for him, he's got no money, no experience, no skill, and no filmmaking talent. When his controlling mother gets involved, Skweezy is forced to confront the very essence of who he is.

The Airwaves Belonged to the People: WBCN and The American Revolution is an award-winning documentary about how a Boston rock radio station became both a participant in and a platform for the anti-war movement, civil rights, LGBTQ and women’s rights, and the explosion of countercultural media in the late 1960s and early 1970s. Now re-released under its expanded title, the film draws on more than 100,000 archival audio and visual items — much of it donated by the WBCN community — weaving firsthand accounts from station staff with rare material featuring Jane Fonda, Abbie Hoffman, Lou Reed, Jerry Garcia, and Bruce Springsteen and Patti Smith in their first live radio broadcasts. The film aired nationally on PBS and received coverage from major publications including the Boston Globe, which called it a film audiences “watch with awe.” Directed by Peabody Award–winner Bill Lichtenstein, who began working at WBCN at age 14 in 1970. Following the screening, the director will be joined by former WBCN on-air staff for a live Q&A.

Jimmy Rabbitte, just a thick-ya out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey "The Lips" Fagan.

Twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in 20th Century Studios’ “The Devil Wears Prada 2,” the eagerly awaited sequel to the 2006 phenomenon that defined a generation. The film is directed by David Frankel, written by Aline Brosh McKenna, produced by Wendy Finerman, and executive produced by Michael Bederman, Karen Rosenfelt and Aline Brosh McKenna.

A happily engaged couple is put to the test when an unexpected turn sends their wedding week off the rails.

In the summer of 1962, a new kid in town is taken under the wing of a young baseball prodigy and his rowdy team, resulting in many adventures.

Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.

Mr. Pearson's days in front of the camera may be a thing of the past, but the actor inside of him is very much alive. Caroline and Miguel split days and nights with legendary Hollywood actor Robert Pearson, a brilliant and talented gentleman battling mental decline. Despite their differences in approach to caring for the cantankerous man, both have the same goal of keeping him safe and connected. Miguel's care-taking method is pretty straightforward as he spends most of his time with Mr. Pearson meeting his basic needs of eating, sleeping, and grooming. Caroline, on the other hand, has become more than a nurse. A maternal confidante and playful companion, Caroline stops at nothing to keep Mr. Pearson from slipping away, even if that means casting herself opposite the leading man to perform a scene from one of his hit movies from long ago. And it's working. Their make-believe games cause Mr. Pearson to feel alive again, but as the line between fantasy and reality blurs, his grip loosens and Caroline's gets tighter. Now, with everyone's livelihood on the line, Miguel and Caroline must work together to save Mr. Pearson's luminous star from fading to black.

When a queer friend group unites for a girls' weekend celebrating a divorce, their old feelings, new relationships, and shifting dynamics crash into each other in the shadow of summer’s dying light. Lakeview is a celebration of the power (and damage) of familiarity, what happens when lessons learned don’t lead to patterns broken, and how one song can change everything you know.

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